tag:blogger.com,1999:blog-47148183664852572732024-03-13T07:21:28.210-04:00Playwrights Theatre of NJPlaywrights Theatre is a 501(c)(3) non-profit, professional (Actors' Equity) theatre. A community of professional playwrights, theatre artists, and arts educators, Playwrights Theatre provides opportunities for writers to develop their works in a nurturing environment and connect with new audiences.Walter F. Rodriguezhttp://www.blogger.com/profile/12628154778144052785noreply@blogger.comBlogger227125tag:blogger.com,1999:blog-4714818366485257273.post-18313634278015925462015-01-23T16:51:00.001-05:002015-01-23T16:51:40.732-05:005 Questions with Chisa Hutchinson<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-aTV2SIMPqBk/VMK5ZGom1kI/AAAAAAAAA78/Hn1iwBLpoTw/s1600/Chisa%2BHutchinson.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-aTV2SIMPqBk/VMK5ZGom1kI/AAAAAAAAA78/Hn1iwBLpoTw/s1600/Chisa%2BHutchinson.jpg" height="320" width="210" /></a></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><span>The 13th reading in our FORUM "Soundings" series is THE WEDDING GIFT by Chisa Hutchinson. This
reading will be begin at 7:00pm on January 25, 2015 and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9).</span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span>In a Far Off Place that might be
Earth, Doug finds himself playing a very unique role at the wedding of
Nahlis and Beshrum, two “people” he has never met, and who do not speak
his language. All he wants to do is go home, but given the
circumstances, that may not be possible.<strong> </strong></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><strong>Chisa Hutchinson</strong>
(B.A. Vassar College; M.F.A NYU - Tisch School of the Arts) has happily
presented her plays DIRT RICH, SHE LIKE GIRLS,THIS IS NOT THE PLAY, SEX
ON SUNDAY, TUNDE’S TRUMPET, THE SUBJECT, MAMA’S GONNA BUY YOU,
SOMEBODY’S DAUGHTER, ALONDRA WAS HERE and DEAD & BREATHING at such
venues as the Lark Play Development Center, SummerStage, Atlantic
Theater Company, Working Man’s Clothes Productions, the BE Company,
Partial Comfort Productions, Mad Dog Theater Company, the Wild Project,
Rattlestick Theater, the New Jersey Performing Arts Center, the South
Orange Performing Arts Center and the Contemporary American Theater
Festival. She has been a Dramatists Guild Fellow, a Lark Fellow, a
Resident at the William Inge Center for the Arts, a New York NeoFuturist
and a staff writer for the Blue Man Group, and is currently a
second-year member of New Dramatists. Chisa has won a GLAAD Award, the
John Golden Award for Excellence in Playwriting, a Lilly Award, a New
York Innovative Theatre Award, the Paul Green Award, a Helen Merrill
Award and has been a finalist for the highly coveted PoNY Fellowship. A
recent foray into screenwriting won her Best Narrative Short at the
Sonoma International Film Festival. By day, Chisa writes copy for a
retail company. To learn more, visit <a href="http://www.chisahutchinson.com/" style="text-decoration: underline;">www.chisahutchinson.com </a></span></span></span><span style="font-size: x-small;"><br /></span><b><span style="color: black;"><br />1) What
was the inspiration for </span></b><span id="yiv5725494444yui_3_16_0_1_1421950842003_5914"><b><span>THE
WEDDING GIFT?</span></b></span><br /><span style="font-size: x-small;"></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span>
</span><span style="color: black;">The short answer is slavery. The longer answer is I feel like America's
getting brave enough to start being honest with itself about its history of
brutality against and oppression of blacks. You can see it in the movies
that are coming out. But the way in which we're examining it strikes me as both
insultingly literal and from too safe a distance. White America can go,
"Oh, it's a good thing we don't chain them up and beat them like that any
more" (except they kinda do) or "Oh, it's so terrible what happened
to those black people hundreds of years ago" (except it's still kinda
happening). Hence, 12 Years A Slave gets every accolade ever, but Fruitvale
Station and Dear White People get the shaft. It's too soon to be facing up to
shit that happened <i id="yiv5725494444yui_3_16_0_1_1421950842003_8598">just
now</i>. But look. I get it. White people don't want to have their faces rubbed
in their persistent reputation as entitled, oppressive assholes any more than I
wanna have my face rubbed in my chronic victimhood, over and over. </span></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: black;"> </span></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">So I'm trying something different. A new context for the discussion, a new
vehicle to drive the point home. Something just strange enough and just
familiar enough to be engaging. And vaguely science-fictiony. Because white
folks love science fiction. We'll see how it lands. In any event and however
people feel about it, it was fun as shit to write and even more fun to see
actors play with it. </span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="color: black;">2) The Dramatists Guild of America recently announced the winners of
its annual awards. You received The Landford Wilson Award for early-career
work. Where were you when you got the news and what was the first thought you
had when you heard you won?</span></b><span style="color: black;"> <br />
<span>I was in my house, already in a
terrific mood because my grandparents were visiting me from Evansville, IN. (I
frickin' love my grandparents.) And my phone rings and it's an unfamiliar
number and I'm like, "Aw shit, what bill haven't I paid?" And I
almost didn't pick up because whatever, my grandparents are here and it's
Christmas time and who the hell wants to be dealing with bill collectors at
Christmas time, right? But I did pick up. And I'm so glad I did. And the first
thought that went though my head was, "For real? But I was just an
alternate!" Because I was put forth as an alternate nominee by Emily
Morse at New Dramatists after having my name pulled second from a hat for the
nomination lottery. I had no idea I was nominated by like 4 other people,
apparently. No idea.<b> </b></span></span></span></span></div>
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<span style="font-size: small;"><b><span style="color: black;">3) You
recently decided to give screenwriting a try. What do you find are the most
similar elements between playwriting and screenwriting and which are the most
different?</span></b><span style="color: black;"> <br />
<span>The biggest similarity: they're both
HARD AS HELL. Every time. No matter how many times you do it. Biggest
difference: for a play, you can have two people just sitting around talking to
each other in a living room for 90 minutes and call it interesting. Not so much
for screenplays. You better get those fools out of that damn living room and
have something explode. Or at least a car chase.</span></span></span></div>
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<span style="font-size: small;"><b><span style="color: black;">4) By
day, you write copy for a retail company. How did you come by this opportunity?
Any “Seinfeld J. Peterman” moments you can share with us?</span> <br />
</b><span style="color: black;">Dude. I got the job through Craigslist. Never underestimate Craigslist.
Craigslist has paid many a bill. And HA! Yes. Seinfeld J. Peterman moments. I
actually post some on Facebook as a series called "Today's Bad Copy."
I just posted one right before answering these questions:<b> "</b></span></span><span style="color: #141823;"><span style="font-size: small;"><span id="yui_3_16_0_1_1421950842003_12400">Today's
Bad Copy: 'Sure, the whole point of it changing color is to let you know when
it's hot enough to cook in and all, but come on. That's just f*cking cool."</span><span id="yui_3_16_0_1_1421950842003_12402">-- the Color-Changing Ceramic Pan<b>"</b></span></span><b>
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<br />
</b></span><span style="font-size: small;"><b><span style="color: black;">5) What is the most unique wedding gift you’ve ever given?</span></b><span style="color: black;"> </span><br />
<span>I usually just stick to the registry.
It's just practical. But one time, I was so broke because I just spent over 800
precious, inter-gig dollars on a bridesmaid dress, bridal shower gift, travel,
hotel etc. and had literally $48 left in my account before I did my Craigslist
voodoo and got my J. Peterman job, but my bestie from college was getting
married so what else could I do, right? So I humbly framed the poem that she
asked me to read at the ceremony. Simple. Unique. Affordable on a $48 budget.</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span> </span><span></span><span><span style="line-height: 115%;"><span><span style="line-height: 115%;"><span><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<br />
<a href="http://www.ptnj.org/freereadings/the-wedding-gift-by-chisa-hutchinson" target="_blank">Click here</a> to reserve your seat to see THE WEDDING GIFT.</span></span></span></span></span><br />
<br />
<span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-39740892829262044082015-01-23T15:47:00.001-05:002015-01-23T15:47:27.783-05:005 Questions with Yasmine Beverly Rana<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-eKIVJPfKZIA/VMKwselnf_I/AAAAAAAAA7s/pJGSLAV60uc/s1600/Yasmine_Rana.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-eKIVJPfKZIA/VMKwselnf_I/AAAAAAAAA7s/pJGSLAV60uc/s1600/Yasmine_Rana.jpg" height="320" width="210" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span>The 12th reading in our FORUM "Soundings" series is JASMINE SPRING by Yasmine Beverly Rana. This
reading will be begin at 7:00pm on January 24, 2015 and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9),</span></span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span><em>Jasmine Spring</em> is an
exploration of democracy, its definition and implications viewed under
the lens of the female protagonist, a university student and participant
in the Arab Spring uprising in Tunisia. Kia’s identity as female and
her sexuality are under assault as she is conflicted between her role as
citizen and woman. Her lover, Amir, a photographer and proponent of
social media as a tool for civil disobedience, encourages her to use an
image of her body as a symbol of democracy and freedom. Within the
confines of a dorm room, a digital photograph, that will change both
their lives, is taken and posted through social media.</span></span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
</span></span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span><strong>Yasmine’s</strong> plays have
been presented in the United States and abroad, notably La MaMa E.T.C,
Halcyon Theatre of Chicago, New Stages Performing Arts Center in the
Berkshires, Write-Act Repertory Theatre in Los Angeles, The Looking
Glass Theatre, Johns Hopkins University Theatre, Playwrights Theatre of
New Jersey, Tara Arts Theatre and New Diorama Theatre, both of London.
Publications include <em>The Alabama Literary Review</em>, <em>The Best Women’s Monologues and The Best Stage Scenes </em>(Smith and Kraus Publishers), <em>Blackbird</em>, <em>The Kenyon Review</em>, <em>TDR: The Drama Review</em>, and <em>The Contemporary European Idea</em>. Translations include <em>Cinci Piese de Teatru</em>. The University of Chicago Press and Seagull Books’ In Performance series published <em>The War Zone is My Bed and Other Plays. </em>The anthology was reviewed in the <em>Slavic and East European Journal</em>. <br /><br />Awards include a Paulette Goddard
Fellowship from New York University and a Walter E. Dakin Fellowship in
Playwriting from the Sewanee Writers Conference. Yasmine was a finalist
for La MaMa Experimental Theatre’s inaugural Ellen Stewart Award. She
received her Bachelor of Fine Arts and Master of Fine Arts degrees from
New York University’s Tisch School of the Arts. Yasmine is also a
Registered Drama Therapist, New York State Licensed Creative Arts
Therapist, and educator. She has volunteered as a teacher and drama
therapist in Bosnia and The Republic of Georgia. Yasmine implemented an
arts and education program for Bosnian youth through the Jacob
Foundation in Zurich and The American School in Switzerland. <br /><br />Yasmine has served as Writer in Residence at T. Schreiber Studios in New York which produced <em>The Fallen</em>, along with a revival of <em>Blood Sky, </em>and <em>Fauna and Blood </em>(T. Schreiber Shorts). <em>Fauna and Blood</em> was inspired by artist Imran Qureshi’s “Roof Garden Commission” for the Metropolitan Museum of Art and was published in <em>The Kenyon Review. <br /><br />Another Spring </em>was developed<em> </em>through Playwright’s Theatre of New Jersey’s Emerging Women Playwrights Project. The most recent draft, <em>Jasmine Spring</em> was subsequently presented at La MaMa Experiments Play Reading Series. <br /><br />In November 2013, Yasmine was selected by the Tommy Hilfiger Company and <em>Glamour Magazine</em> as one of four outstanding women of New Jersey to benefit the Women of the Year Malala Fund. <br /><br />Yasmine was a recipient of the Paramus Education Foundation’s Lifetime Achievement Award in October 2014. <br /><br /><em>Scarred </em> began as a one-act play that will be published in <em>The Kenyon Review </em>in 2015 and performed in New York at T. Schreiber Studio Theatre’s “ Freedom Short Play Festival.”</span></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="color: black;">1) Where did you get the idea for JASMINE SPRING?</span></b><span style="color: black;"><br />
</span><i><span>Jasmine Spring </span></i><span>was written in
response to the recent political uprisings in North Africa and the Middle
East.<span> </span>With daily images and narratives
of student demonstrations and the fragility of their political leadership, I wrote
from the perspective of the female citizen in that region who also demands
change but finds herself dangling between paradoxical circumstances.<span> </span>Will she be represented?<span> </span>Will her voice be heard?<span> </span>If you extend the conversation with the
addition of social media as a tool to give rise to democracy and the intimacy of
a video or photograph, the implications can be tumultuous.<span> </span>PTNJ has been instrumental in the development
of this play which began as <i>Another
Spring.<span> </span></i>There were moments I
considered abandoning this, believing it was over after a few readings and that
all that could be explored had been, but there seems to be a voice within the
pages whispering to me to continue, to keep the characters alive and continue
this discussion which leads to another question. How does a writer know when a
play is finished?<span> </span>The answer is from
within and encompasses an almost primal sense of completion.<span> </span>I’m nearly there with <i>Jasmine Spring.</i></span></span></span></div>
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<span style="font-size: small;"><b><span style="color: black;">2) You are a Writer in Residence at T. Schreiber Studios in New York.
Can you tell us a little about what that means?</span></b><span style="color: black;"><br />
</span><span>It’s
wonderful!<span> </span>It’s wonderful<span> </span>having a master director as Terry Schreiber
who has identified the value in my voice produce two full-length plays and two
one acts (the latter this coming March).<span>
</span><span> </span>Writing can be a solitary
experience, but finding a community with Terry’s team of actors, directors, and
producers is a gift.<span> </span>I’m deeply grateful
for that time and that sounding board to write and try out new plays in New
York City. How many playwrights have that opportunity?<span> </span></span></span></div>
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<span style="font-size: small;"><b><span style="color: black;">3) In November 2013, you were selected by the Tommy Hilfiger Company
and GLAMOUR MAGAZINE as one of four outstanding women of New Jersey. What was
it like to be dressed by Tommy Hilfiger for the event? Did you feel a wee bit
like a super model?</span></b><span style="color: black;"><br />
</span><span>Everyone
should try it.<span> </span>What a surreal
experience!<span> </span>The teams at Tommy Hilfiger
and <i>Glamour Magazine</i> were wonderful.<span> </span>It’s a marvelous return to childhood play and
dress up for one night.<span> </span>Who was that in
those very high heels?<span> </span>I didn’t
recognize myself. <span> </span>What was equally humbling
was being selected with three other greatly talented and giving women who have
contributed their time and vision to their communities.</span></span></div>
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<span style="font-size: small;"><em><b><span style="color: black;">4) Your play Fauna and Blood</span></b></em><b><span style="color: black;"> was inspired by artist Imran Qureshi’s “Roof Garden Commission”
for the Metropolitan Museum of Art. Did you approach this play in the same way
you would any play you’ve written or did you come at differently since it was a
written piece inspired by a work of art that was painted on the rooftop of the
Met where outside elements played a part?</span></b><span><br />
I must be honest.<span> </span>I read plays.<span> </span>I do see theatre, but my greater inspiration
comes from other genres, particularly fine art. In my play, <i>The Fallen</i>, one of my favorite scenes is
set in London at the Tate Modern as Dejan and Anais, the museum security guard
and a visitor, both from the former Yugoslavia stand in a room with Jean
Fautrier’s sculpture, “Head of a Hostage.” The two walk slowly, gracefully, as
if in a dance, as they encircle this statue representing what was once a
person, but is now a burnt piece of flesh with a hollow face.<span> </span>The statue speaks to them and incites their
dialogue that they too may be the victims, as our “Head” or the perpetrator
responsible for his demise.<span> </span>I saw this
statue in London where I was at Tara Arts Theatre for a book reading.
Subsequently and quite accidentally, the moment at the Tate has become a part
of my own personal narrative and writing life.<span>
</span>Imran Qureshi’s “Roof Garden Commission” is another example of art
provoking my writer’s soul, but this time I wrote from the perspective of the observer
rather than the subject.<span> </span>Who would visit
this work?<span> </span>What is her story?<span> </span>How did Qureshi’s response to the violence in
his home country influence these visitors?<span>
</span>Had they shared his experience?<span>
</span>The process was effortless and fruitful as the play was performed at T.
Schreiber and published in <i>The Kenyon
Review.<span> </span></i><span> </span>Support for the play was outstanding with Qureshi’s
and the Met Museum’s contributions to the publication with exhibition photos.</span></span></div>
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<span style="font-size: small;"><b><span style="color: black;">5) What time of day do you feel most inspired to write – Morning,
Afternoon, or Night and why?</span></b><span><br />
I write anywhere anytime. I teach all levels of English as a Second Language at
Paramus High School during the day. Three times a week, I study Japanese and
Russian.<span> </span>I tango.<span> </span>I go to my favorite jazz clubs and listen to
my friends play.<span> </span>I have a family and
very loyal friends.<span> </span>I go to gallery
openings.<span> </span>I read.<span> </span>I write.<span>
</span>I live with an idea until I’m ready to sit down and type it out.<span> </span>Luckily I’m a fast typist so the process of the
first draft is expeditious.</span></span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;"> </span><span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;"><span><span style="line-height: 115%;"><span style="font-size: small;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<br />
<a href="http://www.ptnj.org/freereadings/jasmine-spring-by-yasmine-beverly-rana" target="_blank">Click here</a> to reserve your seat to see JASMINE SPRING.</span></span></span></span></span><br />
<br />
<span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span> </span></span></span></span></span></span> </span></span></span></span></span></div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-10691755323116812962015-01-23T12:44:00.002-05:002015-01-23T12:52:43.607-05:005 Questions with Bob Clyman<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-ibNQ-NjLg4I/VMKFxa-EDaI/AAAAAAAAA7c/5SQtSqxb544/s1600/Bob%2BClyman.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-ibNQ-NjLg4I/VMKFxa-EDaI/AAAAAAAAA7c/5SQtSqxb544/s1600/Bob%2BClyman.jpg" height="320" width="210" /></a></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">The 11th reading in our FORUM "Soundings" series is ABOVE WATER by Bob Clyman. This
reading will be begin at 7:00pm on January 23, 2015 and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9).<br /> </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Paul decides to bring his much
younger girlfriend, Rachel, with him on vacation with his longtime
friends, Max and Maggie. After realizing that Rachel could possibly be
the best thing to happen to him since his wife, Carol, died two years
before, they all come to learn things about each other that they never
expected.</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Bob Clyman’s</b> plays
have been produced Off-Broadway and at regional theatres, such as the
Alley Theatre, Laguna Playhouse, Repertory Theatre of St. Louis, San
Jose Repertory Theatre, George Street Theatre, Merrimack Repertory
Theatre, Colony Studio Theatre in Los Angeles, Playwrights Theatre of
New Jersey, and L.A. Theatre Works, in addition to touring Scotland.
His play <i>Secret Orde</i>r was initially commissioned and produced
by The Ensemble Studio Theatre under the auspices of the Alfred P. Sloan
Foundation. It was subsequently produced at 59E59 Theatre in New York,
where it was nominated for an Outer Circle Critics Award for the best
script in 2008, and has since been produced at many regional theatres.
His plays <i>Tranced</i> and <i>The Exceptionals</i> were both supported by Edgerton Foundation New American Play Awards. <i>Tranced</i> has been produced by San Jose Repertory Theatre, Laguna Playhouse and Merrimack Repertory Theatre, among others. <i>The Expectionals</i>
was produced by the Contemporary American Theatre Festival and
Merrimack Repertory Theatre, where it was nominated for both Best Play
and Best New Play of 2012 by The Independent Reviewers of New England.
His most recent play <i>The Good Bet</i>, was chosen for The Ashland
New Play Festival in 2014. He has been awarded a number of national
prizes, including a Eugene O’Neill Summer Conference Fellowship,
Geraldine Dodge Fellowship, Playwrights First Award, New Jersey State
Arts Council Award, Edward Albee Foundation Fellowship, Berilla-Kerr
Foundation Award, Djerassi Foundation Fellowship, Shenandoah Valley
Playwrights Fellowship, and Theater in the Works Fellowship.</span></span><br />
<br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>1) Where did you get the
idea for ABOVE WATER?</b>
</span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: black;">A friend was visiting a Caribbean island when he
experienced something a little like this. The story, as he reported it,
would have played as a pretty straightforward melodrama, so in the service of
greater complexity, my friend will have to accept that he is no longer the
hero. <br />
<br />
<b>2) You’ve had a play tour Scotland. How did
this come to be and did you get to see the play in Scotland and eat haggis?</b></span>
<br />
An American director who had directed a workshop of that particular play in New
York later moved to Scotland and convinced a producer there to let him first
mount it in Edinburgh and then move the production to Glasgow. I never
got to see how it played there, and it's almost as hard for me to imagine those
characters speaking with Scottish brogues as it is to imagine eating haggis.
</span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>3) What do you enjoy most about the art of
playwriting?</b> <br />
I like starting a new play, when my mind's an open faucet with words pouring
out, but I think I enjoy the act of cutting them back later even more. <span id="yiv9198896419yui_3_16_0_1_1421695152081_9789">My early drafts are always
massively overwritten, filled with undigested ideas and the crushing weight of
too much language. </span>It's a joy to finally realize what the play is
about, so I can begin shedding some of that weight. </span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>4) What is your favorite book, movie, play
or musical and why? </b><br />
Carol Churchill and Wallace Shawn probably do a better job than any other
playwrights working at disturbing me while making me laugh. </span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>5) Are you a regular slice of apple pie
kind of guy or are you an ala mode guy?</b><br />
Now you're getting a little too personal. </span></span></div>
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<br /></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span><span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;"><span style="line-height: 115%;"><span style="font-size: small;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<br />
<a href="http://www.ptnj.org/freereadings.php?url=above-water-by-bob-clyman" target="_blank">Click here</a> to reserve your seat to see ABOVE WATER.</span></span></span></span></span><br />
<br />
<span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span> </span></span></span></span></span></span> </span></span></span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-68517581252833425952015-01-22T13:09:00.002-05:002015-01-22T13:09:40.385-05:005 Questions with Lia Romeo<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-fxS-qY3yFlg/VME7k_hUyWI/AAAAAAAAA7M/ToW7Op0BpbQ/s1600/Lia%2BRomeo%2Bnew.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-fxS-qY3yFlg/VME7k_hUyWI/AAAAAAAAA7M/ToW7Op0BpbQ/s1600/Lia%2BRomeo%2Bnew.jpg" height="210" width="320" /></a></div>
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">T<span><span>he 10th reading in our FORUM "Soundings" series is A PEFECT FIT by Lia Romeo. This
reading will be begin at 7:00pm on January 22, 2015 and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9).</span><br /><br />Nicole just started dating her
roommate, a girl, and her parents are actually cool with it. Her mom,
Janet’s relationship with her husband isn’t like it used to be, and she
gets a little jealous of what Nicole seems to have with Jill. Through
their own ups and downs, mother and daughter both have a lot to learn
from each other</span>. <br /><br /><span><strong>Lia Romeo</strong> earned her
B.A. from Princeton University and her M.F.A. from Rutgers. Her plays
have been produced or developed at the Kennedy Center, 59E59, Project Y
Theatre Company, Abingdon Theatre, the Lark Theatre, Unicorn Theatre,
HotCity Theatre, Playwrights Theatre of New Jersey, New Jersey Repertory
Theatre, Kitchen Dog Theatre, Performance Network Theatre, Stillwater
Theatre, Renegade Theatre Experiment, and elsewhere. She has been a
finalist for the O'Neill, PlayPENN, WordBRIDGE, the Reva Shiner Comedy
Award at Bloomington Playwrights Project, the Seven Devils Playwrights
Conference, and the Heideman Award. She was the 2008-2009 National New
Play Network Emerging Playwright-in-Residence at Playwrights Theatre of
New Jersey, and was a member of the 2011 New Jersey Emerging Women
Playwrights Project. She is also the author of a novel, <i>Dating the
Devil</i> (BelleBooks), and a humor book, <i>11,002 Things to Be Miserable
About</i> (Abrams Image), which has sold over 30,000 copies worldwide.<br /></span></span></span><!--[if gte mso 9]><xml>
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<div class="MsoNormal" style="background: white; line-height: normal;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>1. Where did you
get the idea for A PERFECT FIT? </b><br />
<span style="color: black;">A PERFECT FIT was inspired by an article I read in <i id="yui_3_16_0_1_1421538087359_67157">The Guardian </i>called "Why It's
Never Too Late to Be a Lesbian" about how more and more women are coming
out late in life, often after having married men and had children. The
idea that these women may have ended up on a heterosexual path because it
didn't really occur to them that they could do anything else really resonated
with me, and I started thinking about how many more choices young women have today
in terms of sexuality and gender compared to the choices women had in the past.</span>
<br />
<br />
<b>2. You wrote your book “11,002 Things To Be Miserable About” with your brother,
Nick. What was the process like sharing writing duties with your sibling?
</b><br />
It was a lot of fun! That was my only experience with collaboration, and
I don't know if I could do it with anyone else, but Nick and I know each other
really well and have a similar sensibility, so we were able to work well
together. Also, if you're sitting around making a list of all the world's
miseries (which is literally what that book is), it's marginally less
depressing to do it with someone else.<br />
<br />
<b>3. How difficult is it to switch hats from playwright to literary manager for
Project Y Theatre Company? In the former, you get judged and the latter, you
are the judge. </b><br />
I think every playwright should do literary work... talk to local companies and
ask them if they need script readers or people to help in their literary
department... because it's been fascinating and so informative for me.
Reading a lot of scripts has helped make me a better writer, of course,
but switching roles has also been really helpful to me in terms of
self-promotion, because I see what works and what doesn't work when other
writers are trying to approach me, and I'm able to apply some of that when I
approach other companies. <br />
<br />
<b>4. You are a playwright, novelist and comic writer. What made you decide to pursue
a M.F.A. in playwriting from Rutgers? </b><br />
I was going through a bad time after college... living in my parents' basement
and working a temp job as the receptionist at a porn agency... and so my
parents suggested that it might be a good time to apply to grad school.
I'd always known I wanted to be a writer, and having those three years to
focus and learn how to translate that desire into a daily writing practice was
tremendously helpful, as were the connections I made with other people in the
business. <br />
<br />
<b>5. Where is your favorite place to buy pretty shoes? </b><br />
Local boutiques. Also Target! - they have surprisingly good shoes there.<br /><br /><span style="line-height: 115%;"><span><span style="line-height: 115%;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<br />
<a href="http://www.ptnj.org/freereadings.php?url=a-perfect-fit-by-lia-romeo" target="_blank">Click here</a> to reserve your seat to see A PERFECT FIT.</span></span></span></span></span><br />
<br />
<span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span> </span></span></span></span></span> </span></span> </span></span></span></div>
<br />
<br />
<br />
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-58876360787569292832015-01-20T03:31:00.000-05:002015-01-20T15:06:25.063-05:005 Questions with Ken Scarborough<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-3kQ5REyOdto/VL1oQ3PTeGI/AAAAAAAAA68/_m6AzLydcFE/s1600/Ken%2BScarborough.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-3kQ5REyOdto/VL1oQ3PTeGI/AAAAAAAAA68/_m6AzLydcFE/s1600/Ken%2BScarborough.jpg" height="320" width="210" /></a></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">The 9th reading in our FORUM "Soundings" series is ECSTASY by Ken Scarborough. This
reading will be begin at 7:00pm on January 21, 2015 and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9).</span></span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /><br />Having just started a new job as a
stagehand at a theater run by a friend, Jeremy is convinced that so few
people are left who can truly appreciate the beauty of classical music.
Then his slacker cousin shows up and everything he thought he knew
starts to change.</span></span><b><br /><br />Ken Scarborough</b> has four Emmys for his television writing: as a staff writer for <i>Saturday Night Live, </i>and for his work as a head writer on various childrens’ television series. Long before that, he worked as a stagehand. <br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /><span style="line-height: 115%;"><b>1) ECSTASY’s
main character, Jeremy, is a stagehand. You used to work as a stagehand. How
much of your real life experiences are in this script? </b><br />I was a slightly more competent stagehand than Jeremy, but mostly because I
lack his grand ideals. (I think Jeremy would be deeply unimpressed with my
work. He'd doubtless consider any effort spent in trying to put on a good
show a particularly cringeworthy form of toadying. <br /><br /><span style="line-height: 115%;"><b>2) As
a staff writer for SATURDAY NIGHT LIVE, where did you get your ideas for each
week’s show? Do you start with a skit and fit it around the guest host or do
you write to fit the guest host? </b><br />I came
up with all my best ideas the week after the show aired. (There’s a
really funny SNL in my head.) The production itself was the most fascinating
part of the experience — the closest I’ve come to doing live
theater on a weekly basis.</span> </span></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b><span style="line-height: 115%;">3) You've won f</span></b><span style="line-height: 115%;"><b>our
Emmys for your television writing. What is the moment like after you hear your
name called? </b><br />I briefly gain superpowers which I try to use for the good of
mankind. (Emmy voters take note! Thx!)</span></span></span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="line-height: 115%;"><b>4) You've also written </b><span style="line-height: 115%;"><b>for
several children’s television shows such as ARTHUR, MARTHA SPEAKS
and DOUG. Do you use a similar process whether your are writing for a
young audience or an adult audience or do you approach them in a vastly
different way? For the most part I write like an adult when I’m writing for
children and like a child when writing for adults.</b> <br />I guess in practice that
means that I do try to take kids' concerns as seriously as I’d hope to have
them taken if I were a kid. In both cases I try to write things that would
entertain me—so even if everyone else is suffering, I’m having a great time! Whoo-hoo!</span></span></span></span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="line-height: 115%;"><span style="line-height: 115%;"><b>5) If </b><span style="line-height: 115%;"><b>someone
was to write a television version of your life story, who would you want that
to be and why?</b> <br />
Me or Shakespeare. (Probably Shakespeare —it might sound conceited if I
wrote about myself</span>.</span></span></span></span><br />
<br />
<span style="font-family: "Arial","sans-serif"; font-size: 10.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="line-height: 115%;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<br />
<a href="http://www.ptnj.org/freereadings/ecstasy-by-ken-scarborough" target="_blank">Click here</a> to reserve your seat to see ECSTASY.</span></span></span></span></span><br />
<br />
<span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span> </span></span></span></span></span> </span></span></span> </span><br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-45945614099252035582015-01-19T11:30:00.000-05:002015-01-19T11:30:01.727-05:005 Questions with Rob Zellers<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span>The 8th reading in our FORUM "Soundings" series is mr. Wheeler's by Rob Zellers. This
reading will be begin at 7:00pm on January 19, 2015 and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9). <br /><br />At Mr. Wheeler’s, a fast food
restaurant in a rundown section of the dying inner city, a ragtag
community of determined employees take another run at the Breakfast
Shift. Their mundane routine is interrupted when “assistant manager” Ed
finds a bag of cash in the basement that is of interest to the local
drug trade. <br /><br /><strong>Rob Zellers’</strong>
plays have been developed at Pittsburgh Public Theater, Cincinnati
Playhouse in the Park, Pioneer Theatre Company, The Lark, PlayPenn, New
Harmony Project, Carnegie Mellon and Wake Forest Universities. He is
co-author of <em>The Chief</em>, the most successful play in Pittsburgh
Public Theater’s 40-year history, published by University of Pittsburgh
Press and made into a feature film. Other plays: <em>Harry’s Friendly Service</em>, premiered Pittsburgh Public Theater 2009, Edgerton Award; <em>Safekeeping</em>,
O’Neill Theatre Conference semi-finalist, winner Pen is a Mighty Sword
Award, staged reading Boston’s Accessible Theatre Company. Plays in
development: <em>The Red Cat, The Happiness They Seek</em>, <em>Smokey Hollow</em>.</span><b><span style="color: black;"><br /><br />1) What was the
inspiration for MR. WHEELER’S?<br />
</span></b>As a teacher and
education director I work with a lot of young people. Over time you
become aware of various personality types, behaviors, logic, and outlook.
You notice the way particular students position themselves in the world and
what they are thinking about the future. Some of them can be
inspiring. This was my starting point for <i>Mr. Wheeler’s. </i><span style="color: black;">I also love fast food. <br />
<br />
<b>2) Your play THE CHIEF was the most successful
play in Pittsburgh Public Theater’s 40-year history and was later made into a
feature film. What was it like to see your work go from stage to screen? <br />
</b>Interestingly enough, there was very little additional script work to do
since the filmmakers wanted it to have the look of a play being filmed –
complete with live audience. They did a really good job – I mostly sat
and watched them work. Watching the film, sitting with all the other
movie-goers in a theater in downtown Pittsburgh was strange and exciting.
I had a hard time paying attention. I was much more interested in
watching the audience watch the movie.<br />
<br />
<b>3) You have been the Education Director at
Pittsburgh Public Theatre for 26 years. What do you hope students will take
away from their classes?</b> <br />It has been my mission to make what we do here accessible to young
people. We’ve created dozens and dozens of programs dealing with all
aspects of plays and play production with the goal of getting young people
through the doors. Whether it’s seeing a play, getting acting or
playwriting instruction seeing a technical theater demonstration, or performing
in one of our spaces for family and friends, if they walk out of here having
had a good experience and perhaps with a deeper understanding of what and how
we do things, that’s a big win for our field.</span><b><span style="color: black;"><br /><br />4) We read an
article about you in the Pittsburgh City Paper that said you “spent years
absorbing the craft via behind-the-scenes observations of many dozen of
productions before you tried playwriting.” What sort of behind-the-scenes work
did you do and what made you want to try your hand at playwriting?</span></b></span></span><span style="color: black;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> <br />
I came to theater after teaching high school for many years. Once I got
in the door, I felt I had a lot of catching up to do. This meant sitting
in on production meetings; watching sets go in, costumes added, lights focused;
talking to designers; watching rehearsals, being on book, helping in whatever
way I could; befriending actors, directors, dramaturgs and visiting playwrights
– asking a lot of questions; attending countless preview performances then
listening to notes; being a reader at auditions; going to see shows at other
theaters; and reading a lot of plays. Then one day, many years into being
an arts administrator, it struck me that I really wanted to be part of the art.
Telling stories seemed to be the perfect point of entry. </span></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="color: black;"><br /><br />5) Your
hometown was Youngstown, Ohio and now you live in Pittsburgh, PA.
So do you bleed brown and orange or black and gold?</span></b><span style="color: black;"> <span> </span><br />
I’m a pretty serious Steelers fan.</span></span></span></div>
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<span style="font-size: x-small;"></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<span style="color: black; font-family: "Arial","sans-serif";"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<a href="http://www.ptnj.org/freereadings.php?url=mr-wheelers-by-rob-zellers" target="_blank">Click here</a> to reserve your seat to see MR. WHEELER'S.</span></span></span></span></span><br />
<br />
<span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span></span></span></span></span></span></span></span></span> </span></div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-42236128820109314152015-01-19T11:15:00.000-05:002015-01-19T11:15:58.228-05:005 Questions with Rob Zellers<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-W22abBUeZBo/VL0q2rubcaI/AAAAAAAAA6s/OBhKWyTZ-40/s1600/Rob%2BZellers.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-W22abBUeZBo/VL0q2rubcaI/AAAAAAAAA6s/OBhKWyTZ-40/s1600/Rob%2BZellers.jpg" height="320" width="210" /></a></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span><span>The 8th reading in our FORUM "Soundings" series is MR. WHEELER'S by Rob Zellers.<span><span><span><span><span> This
reading will be begin at 7:00pm on January 19, 2015 and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9).</span></span></span></span></span></span></span></span></span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span>At Mr. Wheeler’s, a fast food
restaurant in a rundown section of the dying inner city, a ragtag
community of determined employees take another run at the Breakfast
Shift. Their mundane routine is interrupted when “assistant manager” Ed
finds a bag of cash in the basement that is of interest to the local
drug trade.</span></span></span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
</span></span><div align="left">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span><strong>Rob Zellers’</strong>
plays have been developed at Pittsburgh Public Theater, Cincinnati
Playhouse in the Park, Pioneer Theatre Company, The Lark, PlayPenn, New
Harmony Project, Carnegie Mellon and Wake Forest Universities. He is
co-author of <em>The Chief</em>, the most successful play in Pittsburgh
Public Theater’s 40-year history, published by University of Pittsburgh
Press and made into a feature film. Other plays: <em>Harry’s Friendly Service</em>, premiered Pittsburgh Public Theater 2009, Edgerton Award; <em>Safekeeping</em>,
O’Neill Theatre Conference semi-finalist, winner Pen is a Mighty Sword
Award, staged reading Boston’s Accessible Theatre Company. Plays in
development: <em>The Red Cat, The Happiness They Seek</em>, <em>Smokey Hollow</em>.</span></span></span></div>
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<div class="MsoNormal" style="line-height: normal;">
<span style="color: black;"><b>1) What was the inspiration for MR.
WHEELER’S?</b><br />
</span><span>As a
teacher and education director I work with a lot of young people. Over
time you become aware of various personality types, behaviors, logic, and
outlook. You notice the way particular students position themselves in
the world and what they are thinking about the future. Some of them can
be inspiring. This was my starting point for <i>Mr. Wheeler’s. </i><span style="color: black;">I also love fast food.</span></span></div>
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<span style="color: black;"><b>2) Your play THE CHIEF was the most
successful play in Pittsburgh Public Theater’s 40-year history and was later
made into a feature film. What was it like to see your work go from stage to
screen?</b><br />
Interestingly enough, there was very little additional script work to do since
the filmmakers wanted it to have the look of a play being filmed – complete
with live audience. They did a really good job – I mostly sat and watched
them work. Watching the film, sitting with all the other movie-goers in a
theater in downtown Pittsburgh was strange and exciting. I had a hard
time paying attention. I was much more interested in watching the
audience watch the movie.</span></div>
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<span style="color: black;"><b>3)You have been the Education
Director at Pittsburgh Public Theatre for 26 years. What do you hope students
will take away from their classes?</b><br />
It has been my mission to make what we do here accessible to young
people. We’ve created dozens and dozens of programs dealing with all
aspects of plays and play production with the goal of getting young people
through the doors. Whether it’s seeing a play, getting acting or
playwriting instruction seeing a technical theater demonstration, or performing
in one of our spaces for family and friends, if they walk out of here having
had a good experience and perhaps with a deeper understanding of what and how
we do things, that’s a big win for our field. </span></div>
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<span style="color: black;"><b>4) We read an article about you in
the Pittsburgh City Paper that said you “spent years absorbing the craft via
behind-the-scenes observations of many dozen of productions before you tried
playwriting.” What sort of behind-the-scenes work did you do and what made you
want to try your hand at playwriting?</b><br />
I came to theater after teaching high school for many years. Once I got
in the door, I felt I had a lot of catching up to do. This meant sitting
in on production meetings; watching sets go in, costumes added, lights focused;
talking to designers; watching rehearsals, being on book, helping in whatever
way I could; befriending actors, directors, dramaturgs and visiting playwrights
– asking a lot of questions; attending countless preview performances then
listening to notes; being a reader at auditions; going to see shows at other
theaters; and reading a lot of plays. Then one day, many years into being
an arts administrator, it struck me that I really wanted to be part of the art.
Telling stories seemed to be the perfect point of entry. </span></div>
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<span style="color: black;"><b>5) Your hometown was Youngstown,
Ohio and now you live in Pittsburgh, PA. So do you bleed brown and
orange or black and gold?</b> <br />
I’m a pretty serious Steelers fan.</span></div>
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<span style="color: black; font-family: "Arial","sans-serif"; font-size: 10.0pt;"><span><span><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<a href="http://www.ptnj.org/freereadings/mr-wheelers-by-rob-zellers" target="_blank">Click here</a> to reserve your seat to see MR. WHEELER'S.</span></span></span></span></span><br />
<br />
<span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span></span></span></span></span></span></span></span> </span></div>
<br /><br />
<br />
<br />
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-86485549339261578742015-01-18T08:00:00.000-05:002015-01-18T08:00:06.061-05:005 Questions with Joe Sutton<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-unu5xomvlkA/VLgXnlyEorI/AAAAAAAAA6M/Nk9DM0k5-SU/s1600/Joe%2BSutton.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-unu5xomvlkA/VLgXnlyEorI/AAAAAAAAA6M/Nk9DM0k5-SU/s1600/Joe%2BSutton.jpg" height="320" width="210" /></a></div>
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span>The 7th reading in our FORUM "Soundings" series is HAPPY YET?? by Joe Sutton.<span><span><span><span><span> This
reading will be begin at 7:00pm on January 18, 2015 and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9).</span></span></span></span></span></span></span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span>Benny, a twenty-something slacker
Jersey-Boy suddenly finds himself agreeing to be the mayor of New
Corners, New Hampshire. Not knowing exactly what to do, he decides he is
going to focus his administration on “The Pursuit of Happiness.” His
journey brings him across some colorful and unusual characters, both
real and imagined, as he bumbles his way towards his goal.</span></span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><span><span style="color: #741b47;"><strong><span style="color: black;"><strong>Joe Sutton’s</strong></span> </strong><span style="color: black;">plays include V<em>oir Dire</em> (nominated for the Pulitzer Prize and the Best Play Award of the American Theatre Critics Association), <em>As It is in Heaven</em>, <em>The Winner</em>,<em>The Third Army</em>, and <em>Restoring the Sun</em>. Joe co-wrote <em>The Predator’s Ball</em>
with Karole Armitage, and saw the piece premiere in Florence, Italy
before enjoying a run at the Brooklyn Academy of Music. Other theatres
producing Joe’s plays include New York Theater Workshop, Long Wharf,
Arena Stage, the Cleveland Play House, and the Old Globe in San Diego.
After Hurricane Katrina, Joe initiated <em>The Breach</em>, a New
Orleans-centered theatre piece co-written with Catherine Filloux and
Tarell Alvin McCraney which premiered at New Orleans’ Southern Rep
before going on to play at Seattle Rep. More recently, Joe’s play <em>Complicit</em>
opened at London’s Old Vic with Artistic Director Kevin Spacey
directing. Joe has also recently been developing a pilot of USA
television called <em>Scales of Justice</em>, about an overweight
detective in post-Katrina New Orleans. Joe is a recipient of numerous
awards and honors, among them fellowships from NYFA, the NEA, and NJ
Arts. When not in rehearsal, Joe teaches playwriting at Dartmouth
College. There he lives with his wife Anne and their son Nicholas.</span></span></span></span></span></span><br />
<br />
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<div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>1) Where did you get the
idea for HAPPY YET??</b></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">It
actually started when I read David Henry Hwang's YELLOWFACE. I thought
there were strong elements, but more generally I started thinking about satire
in general -- and the relative absense of satire in contemporary theatre.
We have it on television -- Jon Stewart, Colbert...but very little in
theatre. I'm sure it's more prevalent than I think...but when I started
casting about for models, I came up with very few. BLOODY, BLOODY ANDREW
JACKSON, 6 DEGREES OF SEPARATION. Not that much.
And so first things first, I simply wanted to write an American satire.
And that got me thinking...well, now...what do I want to satirize? The
answer that came to me -- my current home, New Hampshire. And more to the
point, the political reality and myth of New Hampshire. And that has
everything to do with (1) OUR TOWN, Wilder's idealized "Grovers Corners,
New Hampshire", (2) "Live Free or Die", the notorious motto of
the state that people around the country find so amusing every time there's a
presidential primary up here, (3) the very existence and nature of New England
"town hall" meetings, as the essence of American democracy. So all
this became the subject matter, and I had to come up with a "take", a
perspective. And somewhere along the line I started wondering about
"the pursuit of happiness". What a bizarre notion, I thought,
to place at the heart of a governing philosophy. Civilizations have been
founded upon "king and country", the propagation of certain religious
doctrines and power, the very spread of civilisation against the darkness of
lawlessness and paganism (not that that's such a bad thing)...but "the
pursuit of happiness"??? Really??? To found a country
upon??? What's up with that???</span></span></div>
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<br /></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>2) You title includes two
question marks, what is the significance of the second question mark?</b></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Ah,
the two question mark question. I think it's simply emphatic. It's
a question being posed with that extra question mark's added urgency.</span></span></div>
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<br /></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>3) Your character, Benny,
decides to focus his administration on “The Pursuit of Happiness.” What makes
you happy?</b> </span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">So
the personal...what makes me happy? The first thing that comes to mind is
-- nothing. I'm a curmudgeon. Actually, I think it's true of many
comic writers/satirists...not much actually does make them happy. And so
the satire is a desperate attempt to provide the writer with a source of
pleasure/enjoyment in a world devoid of it. But I think that
overstates. My sons make me happy. My wife. My work.
And I tend to obsess about my favorite football team, the NY Giants. When
they're winning, that makes me happy.</span></span></div>
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<br /></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>4) Why did you decide to
become a playwright?</b> <br />
I couldn't help it. And that's what I tell all my playwriting
students. If you can do anything ELSE...do it. Only be a playwright
if you simply can't help yourself.</span></span></div>
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<br /></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>5) What is the last play
that you saw and what did you enjoy most about it?</b></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">I'm forgetting. Last one I loved -- BETWEEN RIVERSIDE
AND CRAZY. I think Stephen Adly Guirgis is the Eugene O'Neill of our
era. He writes about the down and out, the "underclass", with
enormous empathy and authenticity. It just feels real. And more
than that, illuminating. A hundred years ago, pre-O'Neill, there was
Gorky with "Lower Depths". And he showed a newly minted
Muscovite middle class the despair that existed all around them. And it
seared. I think that's what Guirgis (with an enormous dollop of humor)...does
for us.</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><span style="line-height: 115%;"><span style="line-height: 115%;"></span></span><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<a href="http://www.ptnj.org/freereadings.php?url=happy-yet-by-joe-sutton" target="_blank">Click here</a> to reserve your seat to see HAPPY YET??</span></span></span></span></span><br />
<br />
<span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<br />
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-22060906858961934412015-01-16T10:00:00.000-05:002015-01-16T10:00:01.958-05:005 Questions with Guillermo Reyes<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-AhifISGWJg8/VLgU0mlmLOI/AAAAAAAAA6A/4h3KCRmMaXA/s1600/Guillermo%2BReyes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-AhifISGWJg8/VLgU0mlmLOI/AAAAAAAAA6A/4h3KCRmMaXA/s1600/Guillermo%2BReyes.jpg" height="320" width="210" /></a></div>
<br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span>The 5th reading in our FORUM "Soundings" series is DUDES AND BROS by Guillermo Reyes.<span><span><span><span><span> This
reading will be begin at 7:00pm on January 16, 2015 and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9).</span></span></span></span></span></span></span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span>Mike’s bride has left him hanging at
the altar, and now his best friends try to console him during a night of
drunken and hilarious revelations at an Atlantic City Hotel. Speaking
in explicit language that‘s not for the faint-hearted, these dudes find
the strength to get Mike’s groove back with plenty of booze, trash talk,
and a surprising bout of occasionally genuine emotion beneath their
macho bravado.<br /></span></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><strong>GUILLERMO REYES</strong> has produced and published a variety of plays including the comedies, <em>Men on the Verge of a His-Panic Breakdown</em> and <em>Mother Lolita</em> as off-Broadway productions with Urban Stages, <em>Chilean Holiday</em> and <em>Saints at the Rave</em> at the Humana Festival at Actors Theatre of Louisville, the historical drama, <em>Madison</em>, at Premiere Stages, winner of the New Play Award 2008, among other plays. <em>Miss Consuelo </em>and <em>Sunrise at Monticello </em>were previously developed with and produced at Playwrights Theater of New Jersey. <em></em> In 2010, he published a memoir with the University of Wisconsin Press, entitled <em>Madre and I: A Memoir of our Immigrant Lives, </em>chronicling his immigration from Chile and growing up in the D.C. area and in Hollywood, CA<em>. </em> He’s a professor at Arizona State University in the School of Film, Dance and Theater. Recently, in 2013, his play, <em>Deporting the Divas</em> was published in a new Cambria Series anthology, <em>Gay Drama Now</em> edited by John Clum, and another play, <em>We Lost it at the Movies,</em> was published by the Bilingual Review Press in the anthology, <em>Vaqueeros, Calacas</em> <em>and Hollywood</em>. In 2014, his sketch comedy play, <em>The Hispanick Zone</em>, was also published by L&S Books and is available on Amazon.com.</span></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span>1) Where
did you get the idea for DUDES AND BROS?</span></b><span style="color: #1f497d;"> <br />
</span><span style="color: black;">I teach among students who are young college undergraduates and
they tell me plenty so I didn't have a problem imagining an all-night revelry
like <i>Dudes and Bros.</i> I directed an earlier version of the script
for the Phoenix Fringe Festival and all of my actors were in their early 20s
with experiences that shone a light on the various issues of the play including
its rambunctiousness. I did read some books, <i>Guyland</i> by Michael
Kimmel, a sociological study about how young American men have extended their
adolescence way into their 20s and beyond. <i>I Hope They Serve Beer in
Hell</i> by Tucker Max is a series of humorous essays delving into the same
heavy drinking and sexual misadventure lifestyle. But some of the
particulars were suggested by a couple of my students, one of them a New
York-born student at ASU who basically has led this life and whose three
roommates and he lived in a house near the university whose parties were
apparently infamous. When we did the play at the Fringe, two of those
roommates ended up in the play as actors basically reliving some of their
nights. Yet a third roommate saw all the performances of the play and
then took my Comedy Writing class at ASU and told me that I must have spied on
their lives because everything in the play is something they lived in some way
or other. I thought that was the best comment I've ever heard. I
didn't have to spy on anybody, but I did bring everything I'd heard into one
place at one time. As for the plot twist at the end, which I won't give away
here, it was suggested by Arnold Schwarznegger, the former governor of
California, whose own partying with his maid inspired me to, let's say, allow
for a particular character development. I thank the Terminator for the
righteous ending.<br />
<br />
<b>2) In 2010, you published a memoir with the
University of Wisconsin Press, entitled <em>Madre
and I: A Memoir of our Immigrant Lives, </em>chronicling your
immigration from Chile and growing up in the D.C. area and in Hollywood, CA.
Those are very different locations to grow up in. What kind of impact has
that had on your writing?</b><span> </span><br />
It just means that I adopt quickly to my environment, try to get the language
down first, then the history, and then the cultural ambience of a place.
So yes, Chile has shown up in some of my plays, particularly in <i>A Southern
Christmas</i>, a growing up story naturally, which PTNJ produced back in 1999,
and Hollywood lore is all over the place in my other plays, and DC and politics
and American history has ended up as well in some of my plays, especially in <i>Sunrise
at Monticello</i> which PTNJ produced in 2005, and PTNJ also did a reading of
my play about the fourth president, <i>Madison</i>. It means that my mind
enjoys extracting stories out of the various environments I've lived in and
experienced. Arizona is showing up in my writing more often nowadays for
obvious reasons, but I'm not entirely done with my other environments. My
exposure to New Jersey has been obvious from my past work there with PTNJ but
also because some of my students have come from there, and the Italian-American
ambience is also something I've absorbed from living in Italy for a year and a
half and I like the cultural impact of Italian culture on the U.S. particularly
through its immigrant communities. Italian-American characters have shown
up recently in my writing, and my play <i>Mother Lolita</i> produced by Urban
Stages in New York features a Chilean mother of Italian descent, so the various
cultural heritages that crossed my path from Latin America to the U.S. and
Europe have become part of my imagination in various different ways. <span> </span><br />
<br />
<b>3) You are a professor at Arizona State
University in the School of Film, Dance and Theater. What is the one thing you
hope your students take away from your class?</b> <br />
I teach playwriting courses but I have also started some genre courses at
ASU. This semester I'm teaching Introduction to Comedy Writing and
Writing the Crime Drama, different classes with a variety of issues. In
Comedy, I try to get students to think about the "mess" comedy makes
and not to be afraid of thinking up wild scenarios that end up in a trashed-up
place. If Lucy goes to the chocolate factory, she has to get her mouth
full of them and if she goes to an Italian vineyard, she has to get herself in
a huge vat and have a fight with an old lady who works smashing grapes with her
feet. Flannery O'Connor, who had a dark sense of humor, commented once in
one of her essays that some writers she taught were afraid to get their hands
dirty, that fiction was just too lowly for them. Same goes for
comedy. If you're afraid of the lowliness of messy hands or stuffed
mouths and hanging by a cliff or tripping over furniture and other indignities,
let alone a pie in the face, comedy is not for you. I try in every class
to come up with some sort of "essence." In Crime Drama, the
dirty business is obviously violence, particularly murder, another type of
indignity, and it requires greater research into forensics and investigative
practices as well as the responsibility we all have towards a portrayal of
criminality, or crime and punishment. It's messy, and bloody, and yet it
requires ethics as well. It's more serious business, but it has its own
fascination, and it uses another side of the brain than comedy.<br />
<br />
</span><b><span>4) Which is more challenging: writing a memoir
from actual events or creating a new play from scratch?</span></b><span style="color: #1f497d;"> <br />
</span><span style="color: black;">It's all hard work. I don't think one is less challenging
than the other. The memoir obviously needs to capture the essence of a
time past, and the writer has to be conscious of reporting honestly from
memory, but memory can be illusive as well. Thus far, none of my family
members (except one who lives in Long Island) have read the memoir because they
can't read English, so I have no idea if I got something terribly wrong.
I'd prefer for the memoir not to be translated into Spanish at this time---how
convenient! A new play is never entirely from scratch either since you
end up using some aspect of a true experience, even if it's re-imagining
somebody else's experience. They're both hard work, and rewriting is required
in anything you write.<br />
<br />
</span><b><span>5) Do you have a bucket list? Is so, what is the
third thing on your list? If you don’t have a bucket list, what is one wild and
crazy thing your hope to accomplish in your life?</span></b><span> <br />
A bucket list? I don't know if I've ever put it that way. I want to
adapt one of my plays or short stories into a movie, and direct it
myself. I just need somebody to give me a million or more dollars.
Maybe I need to rethink the whole thing as a "Blair Witch"-style
project which can be done with a single camera or something. That's it,
that's probably the one thing that is waiting out there for me, to take a next
leap into film which I do admire as an art form. It's just expensive.<span style="color: #1f497d;"> </span></span></span></span></div>
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<br /></div>
<div class="MsoListParagraph" style="margin-left: 0in;">
<span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;"><span style="color: #1f497d;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><span><span><span><span style="color: #073763;"><span><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span><span>Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<a href="http://www.ptnj.org/freereadings/dudes-and-bros-by-guillermo-reyes" target="_blank">Click here</a> to reserve your seat to see DUDES AND BROS.</span></span></span></span></span></span></span></span><br />
<br />
</span><span style="color: #073763;"><span><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span><span><span><span style="color: #073763;"><span><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span><span>You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span></span></span></span> </span> </span></span></span></span></span></span></span></span></span> </span></span></span></span> </span><span style="color: black;"></span></span></div>
<br />
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-29375064832081077142015-01-15T13:50:00.001-05:002015-01-15T15:07:46.662-05:005 Questions with D.W. Gregory<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-DF1VFcCZKP8/VLgJ2Em5edI/AAAAAAAAA5w/Ck-7lFi829c/s1600/DW%2BGregory.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-DF1VFcCZKP8/VLgJ2Em5edI/AAAAAAAAA5w/Ck-7lFi829c/s1600/DW%2BGregory.jpg" height="320" width="210" /></a></div>
<br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">The 4th reading in our FORUM "Soundings" series is A GRAND DESIGN by D.W. Gregory. This
reading will be begin at 7:00pm on January 15, 2015 and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9).</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Len and Claire have just moved in next
door to Hal, Len’s friend from work. Between a history involving Hal’s
soon to be ex-wife and a mysterious shooter around the city never
hitting the same place twice, Claire’s visions like those from a
children’s book begin to parallel real life more than she ever imagined.</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> <b>D.W. Gregory’s</b> plays
frequently explore political issues through a personal lens. The New
York Times called her “a playwright with a talent to enlighten and
provoke” for her most produced work, RADIUM GIRLS, which has received
nearly 300 productions worldwide since its premiere at Playwrights
Theatre of New Jersey. Her drama THE GOOD DAUGHTER received a Pulitzer
Prize nomination when it was produced at New Jersey Rep, where Gregory
is a resident playwright. Other plays include: MOLUMBY’S MILLION,
nominated for Philadelphia’s Barrymore Award for Outstanding New Play in
2011; OCTOBER 1962, produced at NJ Rep; and A GRAND DESIGN,
commissioned by New Jersey Rep and developed through Theatre J’s Locally
Grown Festival. In addition, her short comedy, SO TELL ME ABOUT THIS
GUY, was a finalist for the Heideman Award and produced at Actor’s
Theatre of Louisville on a bill of short works. Gregory also writes for
youth theatre; a competition version of RADIUM GIRLS is coming soon from
Dramatic Publishing. Gregory’s work also has been developed through the
support of the American Alliance for Theatre in Education (AATE), the
National New Play Network, the Maryland Arts Council, and the Alfred P.
Sloan Foundation, and the National Endowment for the Arts, as well as
The Playwrights’ Center, Theatre of the First Amendment, NYU’s HotInk
Festival and New Plays for Young Audiences, the Lark, Florida Stage,
Geva Theatre, the Women’s Project, and the Young Vic, among others.</span></span><br />
<br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>1) What inspired you to write A GRAND DESIGN? </b>A GRAND DESIGN was
inspired in part by the D.C. sniper shootings of a decade ago. The first in a
series of murders took place three blocks from my house, in the parking lot of
a Shoppers Food Warehouse. For three weeks, we lived with a constant sense of
danger, terrified to go to the grocery store or fill up the gas tank. After it
was over, the first thing I did was get my bicycle out and go for a ride. The
sense of freedom was exhilarating. Out of that experience I wrote a short
play that I later developed into the current script.<b><br />
<br />
</b><b>2) Your bio says that your plays “frequently
explore political issues through a personal lens.” Why are you drawn to write
about political issues?</b> <br />
Martin Esslin says
that all drama is political, because it either critiques or affirms the culture
in which it was written. But a lot of what passes for political theatre is a
polemic in dialogue form; hit you over the head with the message. And I'm
more interested in the complexity of the struggle and the way in which
political debates, political battles play out in our living rooms, at the
kitchen table, or in our bedrooms. Those big debates, the screaming headlines,
the news crawl at the bottom of the screen -- all of that can render the issues
in an abstract way. But ultimately these calculations have an impact on
someone's life, someone's opportunity or hopes. Individuals who are deeply
affected by the choices of governing class, and very often, those individuals
don't really have a voice. We like to think they do, but in a political system
that is so dependent on big-money donors, in which voting districts are so
egregiously gerrymandered, so that most seats are "safe seats" -- the
average individual does not have much of a voice at all. And the power of
theatre lies in its immediacy and its intimacy, its ability to cut through
abstractions and present the story of individuals whose lives are transformed
by decisions made far away and beyond them.<br /><br /><!--[if gte mso 9]><xml>
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<![endif]--><b><span style="line-height: 115%;">3) We originally produced your play RADIUM GIRLS
which has gone on to have a plethora of productions all over the country. What
do you think it is about this play that resonates with theatres and audience
members? </span></b><b><span style="line-height: 115%;"><!--[if gte mso 9]><xml>
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<![endif]--><span style="line-height: 115%;">It's an amazing story, and it's a true story, about young girls recruited
to work in watch factories, and who discovered later that they were slowly
poisoned by their employer. And it turned out the dangers weren't hidden at all
-- they'd been documented, but they were ignored in the mad pursuit of profit.
So it's also a recurring story -- and it resonates because we recognize that it
could be happening right now, except we don't know which of the so-called
"safe" products, "safe" practices that we use or engage in
daily are not safe at all. But it's also a story about gender politics -- about
the way in which our culture demanded (and in many ways still demands)
compliance from young women, who are expected to be "nice," and not
to make waves or trouble. So when a culture of compliance is a culture of
victimization. And it's only when the woman shake off those expectations and
start to make noise that they come into a sense of personal power. </span></span></span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;"><span style="line-height: 115%;"><b>4)</b> </span></span><b><span style="line-height: 115%;">Your work has been developed through the support
of the National New Play Network (of which we are a member). What does this
mean to you as a playwright to be part of a national group of new play
development theatre companies? </span></b></span></span><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;">It's definitely an affirmation to receive the support of an organization
like the NNPN--not only in the form of a development grant, but in other ways.
They just launched a national database of new plays, and I was invited to test
it out last summer. It's another venue for promoting your work to theatres
around the country--and hopefully it will help to shed a little sunlight on
playwrights who are flying under the radar. <br /><br /><b>5)</b> <b><span style="line-height: 115%;">What would be your ideal way to spend an
evening? A) Cocktails with F. Scott Fitzgerald B) Exploring the depths of
the sea with Jacques Cousteau C) Being an Aerial Silk performer with
Cirque du Soleil or D) Hanging out with Jane Goodall and the chimpanzees.</span></b><span style="line-height: 115%;"> <br /><span style="line-height: 115%;">No contest. Cocktails with Scott Fitzgerald.</span><span style="line-height: 115%;"></span> </span></span></span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;"><span style="line-height: 115%;"> </span></span><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<a href="http://www.ptnj.org/freereadings.php?url=a-grand-design-by-dw-gregory" target="_blank">Click here</a> to reserve your seat to see A GRAND DESIGN.</span></span></span></span></span><br />
<br />
<span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span style="color: #073763;"><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;">You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span></span></span></span></span></span></span></span><br />
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<span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: x-small;"><span style="font-size: x-small;"> </span></span> </span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-3943915301292865922015-01-13T12:26:00.002-05:002015-01-13T12:26:52.674-05:005 Questions with Joni Fritz<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-ooHBbk1GuyI/VLVVLV9DjII/AAAAAAAAA5g/xAWTaZvqbxs/s1600/Joni%2BFritz.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-ooHBbk1GuyI/VLVVLV9DjII/AAAAAAAAA5g/xAWTaZvqbxs/s1600/Joni%2BFritz.jpg" height="210" width="320" /></a></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">The 3rd reading in our FORUM "Soundings" series is IN THE CAR WITH BLOSSOM AND LEN by Joni Fritz.<span><span><span><span><span> This
reading will be begin at 7:00pm on January 14, 2015 and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9).</span></span></span></span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><span><span><span><span><span>Family dynamics can be the source of
endless comedic material, as is the case in winner of the Susan Glaspell
Award, “In the Car with Blossom and Len” by Joni Fritz. In this funny
and poignant new play, a basket full of unpaid bills for chemical
engineer Lenny Gold’s laboratory is discovered by one of his adult
daughters, unveiling a lifetime of secrets, a mysterious silent partner,
and a few other challenges which must be met by this family. “In the
Car..” is a delightful family saga about growing up, growing older and
...where you put the keys."</span> </span></span></span></span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /> <span><strong>JONI FRITZ</strong> has a wide
and varied background as both a writer and an actress. Joni’s acting
career included appearances on the New York stage, regional theatre,
television, films and countless television and radio commercials. Her
segue into a writing career began as a comedy sketch writer for USA
Networks’ “Commander USA”—for which she was a writer and performer for
four years, as well as the syndicated show “Horrible Night at the
Movies.” As a playwright, her work has been seen in several theaters in
the New York area including Ensemble Studio Theatre, the Women’s
Theatre Company, What Exit Theatre and Dreamcatcher Repertory Theatre.
Her play <strong>Girl’s Room</strong>, starring Broadway legends Carol
Lawrence and Donna McKechnie, and directed by Tony-nominated director,
Lynne Taylor-Corbett, enjoyed successful runs in both New York and Los
Angeles. Joni’s play <strong>First A Home</strong>, created to raise
awareness for the plight of the homeless, was recently performed as part
of the New York Society for Ethical Culture’s Ethics and the Theater
series. Joni has also created well over four hundred live theatrical
pieces, films and documentaries for such companies as Arista Records,
AT&T, Johnson & Johnson, Novartis, Pfizer and IBM, among dozens
of other Fortune 500 companies. Her writing, which encompasses a wide
spectrum of styles and genres, also includes the anniversary film for
one of the first and oldest AIDS initiatives in Africa, <em>Secure the Future,</em> as well as award-winning films and documentaries for such non-profits
as the Cancer Institute of New Jersey. For the past several years, Joni
has been on the consulting board for the Westchester Ballet Company.
She is a member of Actors Equity, SAG-AFTRA and the Dramatists Guild.</span></span></span></div>
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<span style="font-size: small;"><span style="color: #1a1a1a; font-family: "Arial","sans-serif"; mso-fareast-language: JA;"><b>1) What was the inspiration for IN THE CAR WITH BLOSSOM
AND LEN?</b><br />
My family.<span style="mso-spacerun: yes;"> </span>I was born into a family that
constantly provides me with material.<span style="mso-spacerun: yes;"> </span>They
are my muses. I’ve been jotting down bits and pieces of their conversations on
the back of napkins and envelopes and old receipts for years.<span style="mso-spacerun: yes;"> </span>I had no choice other than to become a
playwright. <span style="mso-spacerun: yes;"> </span>What else was I going to do
with all these notes? <br />
<br />
<b>2) Before you were a playwright, you were an actress. Do you find yourself
approaching your writing from an actor's perspective?</b> <br />
I don’t think I do it consciously, but yes, I think it has helped
enormously.<span style="mso-spacerun: yes;"> </span>As I write, I am very aware
of each character’s arc and thought-process as they move through the play.<span style="mso-spacerun: yes;"> </span>I can also hear the rhythm of the lines in my
head as I write, which I believe comes from years of acting.<span style="mso-spacerun: yes;"> </span>I also ask myself – would I want to be cast
in this role?<span style="mso-spacerun: yes;"> </span>Is there enough meat to
this character that I would want to tell his or her story?<span style="mso-spacerun: yes;"> </span><br />
<br />
<b>3) For four years, you were a comedy sketch writer as well as a performer for USA
Networks' "Commander USA". Do you have a favorite piece that you both
wrote and performed in? </b><span style="mso-spacerun: yes;"> </span><br />
“Commander” was my first paying writing job.<span style="mso-spacerun: yes;">
</span>For my audition script, they asked me to write a show about “fast food
and socks.” <span style="mso-spacerun: yes;"> </span>I got the job and also
played the roller-skating carhop.<span style="mso-spacerun: yes;"> </span>I
remember how nerve-wracking and thrilling it was that first day on-set to hear
my words come to life – and how scared I was to try and hit my marks on roller
skates.<span style="mso-spacerun: yes;"> </span>I still get that feeling every
time I hear a new piece of mine read aloud for the first time.<span style="mso-spacerun: yes;"> </span>Fear and excitement.<span style="mso-spacerun: yes;"> </span>Without the roller-skates. </span></span></div>
<span style="font-size: small;">
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<span style="color: #1a1a1a; font-family: "Arial","sans-serif"; mso-fareast-language: JA;"><br /><b>4) Over the years, you've created hundreds of live
theatrical pieces, films and documentaries for many Fortune 500 companies. How
does writing for a corporation differ from your creative writing? </b><br />
From my perspective, they are both creative.<span style="mso-spacerun: yes;">
</span>Whether writing a play or writing a corporate piece, it’s all about
telling a story —with a beginning, a middle and an end. I’m lucky that I freelance
and can pick and choose projects that are very diverse and suit me —from the very
theatrical to the very straightforward —and everything in between.<span style="mso-spacerun: yes;"> </span>Corporate writing involves many meetings,
conference calls and deadlines.<span style="mso-spacerun: yes;"> </span>Writing
plays is quieter.<span style="mso-spacerun: yes;"> </span>I usually do my own
writing early in the morning or late at night. <br />
<br />
<b>5) If we found you taking a writing break, which beverage would be in hand a)
coffee b)water c) tea d) cosmopolitan? </b><br />
Totally depends on time of day I’m taking that break.<span style="mso-spacerun: yes;"> </span>Coffee in the morning, but definitely Cosmo
in the evening.<span style="mso-spacerun: yes;"> </span>On second thought, you
can keep the triple sec and lime.<span style="mso-spacerun: yes;"> </span>Vodka with
a splash of cranberry is just fine, thank you.</span></div>
</span><br />
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><span><span><span style="color: #073763;"><span><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span><span>Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<a href="http://www.ptnj.org/freereadings.php?url=in-the-car-with-blossom-and-len-by-joni-fritz" target="_blank">Click here</a> to reserve your seat to see IN THE CAR WITH BLOSSOM AND LEN.</span></span></span></span></span></span></span></span><br />
<br />
</span><span style="color: #073763;"><span><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span><span><span><span style="color: #073763;"><span><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span><span>You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span></span></span></span> </span> </span></span></span></span></span></span></span></span></span> </span></span></span><span style="color: #1a1a1a;"> </span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-52385264915278406602015-01-12T13:36:00.003-05:002015-01-12T13:36:47.491-05:005 Questions with David Wiltse<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-gJR8JkB6uK0/VLQQpbN8ZcI/AAAAAAAAA5Q/XiKlsMG6V7I/s1600/David%2BWiltse.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-gJR8JkB6uK0/VLQQpbN8ZcI/AAAAAAAAA5Q/XiKlsMG6V7I/s1600/David%2BWiltse.jpg" height="320" width="210" /></a></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><span><span>The 2nd reading in our FORUM "Soundings" series is STONE by David Wiltse. <span>This
reading will be begin at 7:00pm on January 13, 2015 and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9).</span></span></span></span></span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span>Benjamin, an accomplished sculptor,
is called to a luxurious apartment by the sister-in-law of a wealthy
scion to ostensibly give her lessons in sculpting. Despite his wary and
somewhat cynical worldview, he finds himself caught up in a <em>manage a trois</em> that calls into question his creativity and artistic integrity. </span></span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><strong>David Wiltse</strong> is the winner of a Drama Desk Award for "Most Promising Playwright" for his first produced play, <em>Suggs</em>, which was done at Lincoln Center. His second play was the comedy, <em>Doubles</em>, which ran for the l985-86 season on Broadway. Four other plays, <em>A Grand Romance</em>, <em>A Dance Lesson</em>, <em>Temporary Help</em>, and <em>Crazy Horse And Three Stars</em> have been produced at the Long Wharf Theater in New Haven, Connecticut, and elsewhere. <em>Triangles for Two</em> was first produced at the Westport Country Playhouse in 2000, <em>The Good German</em> was introduced at the Westport Country Playhouse in 2003, <em>A Marriage Minuet</em> was given its premier performance at Florida Stage in 2005 and a farce, <em>Hatchetman</em>, premiered at the same theatre in December 2006. <br /><br />In January, 2006, David Wiltse was
appointed to the position of Playwright-in-Residence at the Westport
Country Playhouse, Westport, Connecticut. <br /><br />As a novelist, Mr. Wiltse has had twelve books published. <em>Into the Fire</em>, was made a main selection by the Literary Guild. His first novel, <em>The Wedding Guest</em>, was picked as one of the 100 Notable Books of the Year by The New York Times. <em>Prayer For The Dead</em> was similarly chosen as a book of the year by Time Out Magazine in London. <br /><br />Other works by Mr. Wiltse include
more than 50 theatrical screenplays, television screenplays and
television pilots. A comedy series created by Mr. Wiltse, <em>Ladies Man</em>, ran for a season on CBS-TV. <br /><br />Mr. Wiltse is the recipient of an Edgar Allan Poe Award from the Mystery Writers of America for a television movie, <em>The Revenge of the Stepford Wives</em>. <br /><br />Other awards include the Nebraska
Sower Award for Lifetime Achievement in the Arts and the Westport Arts
Achievement Award for Literature. His most recent play, <em>A Marriage Minuet</em>, has been nominated for a Carbonell Award as Best New Work. <br /><br />Mr. Wiltse has also been awarded three grants from the Connecticut Commission on the Arts for his work for the theater.</span></span></span><br />
<br />
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</span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>1) Where did you get the
idea for STONE?</b><br />
The STONE of the reading has followed a tortuous (and often torturous) path
from conception to its current form. In short, a long, long time ago I was
briefly entangled with a young woman who kept insisting that I must love her
since she loved me. I did not love her and very honestly told her so. She
continued to tell me that I did. This play began as a reaction to that brief relationship
in the form of a dialogue between the girl and the man she loved who didn’t
love her back. It was overwritten and boring and very one-sided.. So I tried
casting it as a more conventional play and soon found out that I didn’t have
enough material to sustain more than a few minutes. A third character would allow
me to open things up and develop some sort of plot; enter the sister. After
that I began to seed the story with thoughts and characters and details picked
up over the years, as every writer does. A couple of dozen drafts later we have
the play to be read tonight–with a few dozen more to come, I have no doubt.</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>2) One of your characters,
Benjamin, is an accomplished sculptor. Do you sculpt? If not, what type of
research did you do for this character’s interest?</b><br />
I do not sculpt but I find sculpture, particularly but not exclusively
classical sculpture, to come closer to life than any other visual art form.
Certain works have startled me with their beauty and craftsmanship and human
grandeur. A modern master is Danielle Anjou whose work and history are
fascinating...As for research, I did very little other than look up the Italian
names of the tools involved.</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>3) In addition to being a
playwright, you are also a novelist and have written more than 50 theatrical
screenplays, television screenplays and television pilots. Does your method for
writing change with each genre or do you approach them in a similar fashion? <br />
</b>My method in all
genres is to start before I should, to hurl myself into the thing and trust to luck
and experience that I’ll emerge with something worthwhile. It’s a stupid way to
proceed but I don’t have the patience or the wit to do it properly and think
the whole thing through ahead of time. On the other hand, this method allows me
to follow my imagination as I go along because I have nothing written in stone,
to coin an appropriate phrase.</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>4) You are the recipient
of an Edgar Allan Poe Award from the Mystery Writers of America for a
television movie, <i>The Revenge of the Stepford Wives</i> which is set in Stepford,
Connecticut. You have a strong connection to Connecticut as you held the
position of Playwright-in-Residence at the Westport Country Playhouse,
Westport, Connecticut and have been awarded three grants from the Connecticut
Commission on the Arts for your work for in theater. So, go ahead, you can tell us. Does Connecticut really have a crazy Stepford Wives-like community and
do they give tours?</b><br />
Yes, and no tours permitted because of zoning regulations.</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>5) We saw a picture of
your bungee jumping. What other dare devil activities have you done or would
you like to do?</b><br />
I went bungee jumping on a visit to my daughter who was living in New Zealand
at the time. During that visit I also jumped out of an airplane–I don’t
recommend it for the claustrophobic, not to mention those with acrophobia.
After that I did some anti-climactic paragliding. After the experience of free
fall from the plane, paragliding was a piece of cake. I can think of very
little reason to have done all of this in the first place and no reason
whatsoever to do any of it again.</span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><span style="font-size: x-small;"><span style="font-family: "Arial","sans-serif";"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #073763;"><span><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span><span>Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<a href="http://www.ptnj.org/freereadings/stone-by-david-wiltse" target="_blank">Click here</a> to reserve your seat to see STONE.</span></span></span></span></span></span></span></span><br />
<br />
</span></span><span style="color: #073763;"><span style="font-family: "Times New Roman","serif";"><span><span style="font-family: Verdana,sans-serif;"><span class="yiv4900772923tab"><span style="color: black; font-family: "Helvetica","sans-serif"; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span><span style="font-family: Verdana,sans-serif;"><span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #073763;"><span><span class="yiv4900772923tab"><span style="color: black; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span><span>You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span></span></span></span> </span></span> </span></span></span></span></span></span></span></span></span></span></span></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-28806886034697918422015-01-09T12:41:00.005-05:002015-01-09T12:41:49.231-05:005 Questions With Barry Levey<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-gZG32nidLeY/VK13sU3e2ZI/AAAAAAAAA5A/Z_P-HTlUWMs/s1600/Barry%2BLevey.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-gZG32nidLeY/VK13sU3e2ZI/AAAAAAAAA5A/Z_P-HTlUWMs/s1600/Barry%2BLevey.jpg" height="320" width="210" /></a></div>
<br />
<span style="font-size: small;"><span><span style="font-family: Arial,Helvetica,sans-serif;"><span>The 1st reading in our FORUM "Soundings" series is MAIMED by Barry Levey. <span>This
reading will be begin at 7:00pm and will be held at Fairleigh
Dickinson University, Dreyfuss Theatre, 285 Madison Avenue, Madison,
NJ. <a href="http://view.fdu.edu/default.aspx?id=238" style="text-decoration: underline;" target="_blank">Click here</a> for directions. <a href="http://www.fdu.edu/studentlife/2013/florhammap.pdf" style="text-decoration: underline;" target="_blank"><span style="text-decoration: underline;">Click here</span></a> for a printable map of the campus (the Dreyfuss Theatre is located in Building 9).</span></span></span></span></span><br />
<br />
<span style="font-size: small;"><span><span style="font-family: Arial,Helvetica,sans-serif;"><span><span></span></span></span></span><span>Eitan’s Aunt Miriam loves him very much,
but she’s a “character” who occasionally needs to be hospitalized, and
her antics have her ultimately banished from his family’s house. Still
she persists in infiltrating his life and memories with big stories that
might be real or imagined.</span></span><br />
<br />
<span style="font-size: small;"><span><span><strong>Barry Levey's</strong> New York productions include <em>Hoaxocaust!</em> (FringeNYC 2014 Overall Excellence Winner; Baruch Performing Arts Center; Theater for the New City; Prospect Theater Company); <em>Critical Darling</em> (The New Group); <em>All the Way From China</em> (Mad Dog at the Gene Frankel); and two short plays for Ars Nova, <em>Downeaster Alexa</em> and <em>Yale Law School</em>,
the latter of which was a finalist for the Heideman Prize (Actors
Theatre of Louisville). Barry is a two-time O’Neill finalist, for <em>Citizens of Rome </em>and <em>Woman of Troy</em>,
which has also been developed at the Lark, Resonance Ensemble, and
Carnegie Mellon's School of Drama. Barry’s work has also been developed
by Arena Stage, Rattlestick, and Williamstown, among others. Upcoming: <em>GarageBand<sup>®</sup> for Lovers</em>, a short play for Project Y. Barry holds a BA from Yale and an MFA from UC San Diego. </span></span></span><br />
<br />
<span style="font-size: x-small;"><span style="font-size: x-small;"></span></span><br />
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;">1)
What was the inspiration for MAIMED?</span></b><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;">Every
family has a “crazy” relation (and if you don’t know yours, as the poker
proverb goes, it’s you). Of course, the larger-than-life someone is, the more outsize
an influence they can have on your life. And ironically, while their off-kilter
sensibility might have a positive effect on you--making you less inhibited, or
inspiring you to dream big dreams--that same sensibility might actually make
their own lives harder: they might suffer from arrested development, or
delusions or grandeur, or something even darker. I read Patrick Dennis’s <i>Auntie
Mame</i> and thought, “How delightful this character is--and how mentally ill.”
I wanted to explore the tension between the campy fun of a personality like
Mame’s, and the reality of what it’s really like to live with it--to really <i>be</i>
Mame, or her nephew. I suspected it wouldn’t all be fox hunts and Jerry Herman
songs.</span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;">2)
You hold a BA from Yale and an MFA from UC San Diego. How has your East Coast
and West Coast education influenced your writing? </span></b><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;"> </span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;">Neither,
as much as my Midwest upbringing. I guess my sense of sarcasm is kind of East
Coast, but I think it’s more directly inherited from my Cleveland, Ohio
born-and-raised father. I will say this: I never studied playwriting at Yale,
but I studied under the wonderful Adele Edling Shank at UCSD, so in that
respect, West Coast wins, hands-down.</span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;">3)
Your play <i>Hoaxocaust!</i> was a FringeNYC 2014 Overall Excellence Winner.
The Fringe Festival is an exciting and thrilling ride in theatre production. Do
you have any wild and crazy stories of your experience?</span></b><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;">Two
of them. One: I’d developed the piece for years with an amazing actor, and had
no intention whatsoever of ever performing it myself. Fast-forward to a
scheduling conflict after we’d already been accepted into the Festival, and I
was suddenly living an <i>Eat, Pray Love</i>, bucket-list sort of moment:
performing in New York City. Two: opening night of the Festival, I gave a
60-second preview of the piece at a party and was booed. I hadn’t performed in
front of anyone since high school, and was devastated. To go from getting booed
on the first night to winning a Best Solo Performance award on the last; it’s a
story, I believe Adele Shank would say, with an arc. </span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;">4)
You’ve written several short plays. What do you find is the biggest challenge
when writing a short play versus a full-length piece?</span></b><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;">Oh
my god, writing a short play is so much easier. Except no one wants to come see
it, after. The biggest challenge with short plays is finding anyone who wants
to to watch them.</span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;">5)
So you’re walking along the beach and come upon a lantern. A genie appears and
grants you three wishes. What would those wishes be? </span></b><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;"></span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;">This
reminds me of an ill-advised barefoot walk I just had on Ocean Beach, on a
recent return to San Diego. If this had happened there, I’d have wished for a
disease-free recovery from whatever needle I’d just stepped on to induce the
hallucination.</span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: "Arial","sans-serif";"><span style="color: #073763;"><span style="font-family: "Times New Roman","serif";"><span><span style="font-family: Verdana,sans-serif;"><span class="yiv4900772923tab"><span style="color: black; font-family: "Helvetica","sans-serif"; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span><span style="font-family: Verdana,sans-serif;"><span>Playwrights Theatre will present these readings free of charge, with an optional donation of $10<br />
<br />
♦ A $25 dollar donation will get you a FORUM pass that covers all of the readings. <br />
<br />
♦ A $250 donation will get you a rehearsal pass that allows access to all reading rehearsals. <br />
<br />
♦ Reservations can be made <a href="http://www.ptnj.org/freereadings.php" target="_blank">online</a> at or call (973) 514-1787 X10<br />
<br />
<a href="http://www.ptnj.org/freereadings.php?url=maimed-by-barry-levey" target="_blank">Click here</a> to reserve your seat to see MAIMED.</span></span></span></span></span></span></span></span></span></span></span><br />
<br />
<span style="color: #073763;"><span style="font-family: "Times New Roman","serif";"><span><span style="font-family: Verdana,sans-serif;"><span class="yiv4900772923tab"><span style="color: black; font-family: "Helvetica","sans-serif"; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span><span style="font-family: Verdana,sans-serif;"><span><span style="color: #073763;"><span style="font-family: "Times New Roman","serif";"><span><span style="font-family: Verdana,sans-serif;"><span class="yiv4900772923tab"><span style="color: black; font-family: "Helvetica","sans-serif"; line-height: 115%;"><span id="yiv4900772923yui_3_13_0_ym1_1_1385069427978_19905"><span style="color: #444444;"><span><span style="font-family: Verdana,sans-serif;"><span>You can also find additional information on our website about the entire <a href="http://www.ptnj.org/freereadings.php" target="_blank">FORUM reading series</a>.</span></span></span></span></span></span></span></span></span></span></span> </span></span></span></span></span></span></span></span></span></span></span></span></span></div>
<span style="font-size: small;">
</span><br /><br />
<br />
<span style="font-size: x-small;"><span style="font-size: x-small;"> </span> </span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-29298676728165587842014-12-09T10:56:00.002-05:002014-12-09T10:56:45.483-05:00Play the New Jersey Theatre Alliance's Trivia Tuesday and You Could Win<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-xVnfkDXvhgo/VIcab9fx_GI/AAAAAAAAA4k/0ix3-E55ov4/s1600/NJTA%2Bmap.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-xVnfkDXvhgo/VIcab9fx_GI/AAAAAAAAA4k/0ix3-E55ov4/s1600/NJTA%2Bmap.jpg" height="320" width="169" /></a></div>
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<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="color: #002264; font-family: "Arial","sans-serif";">Do you think you know
about our New Jersey Professional Theatres? Test you knowledge by participating
in our Theatre Trivia Tuesday! </span><span style="color: #002264; font-family: "Arial","sans-serif"; font-size: 10.5pt;"><br />
<br />
</span><span style="color: #002264; font-family: "Arial","sans-serif";">Every Tuesday (starting December
9th) throughout the month of December, the New Jersey Theatre Alliance we will post a series of
questions on their <span style="color: blue;"><b><a href="https://www.facebook.com/NewJerseyTheatreAlliance?utm_source=NJ+Theatre+Alliance+Patron+Newsletter&utm_campaign=8153240fcb-November+Edition+1&utm_medium=email&utm_term=0_bb90bf2479-8153240fcb-" target="_blank">Facebook page</a></b></span> about member theatres. <br />
<br />
The person with the most correct answers at the end of the day, will receive a
$25 Visa gift card and be crowned our "NJTA Theatre Geek of
the Week."<br />
<br />
Winners will be announced the following day (Wednesdays) on their Facebook
page.<br />
<br />
<em><span style="font-family: "Arial","sans-serif";">*Winners of prior weeks are
not eligible to be entered in the remaining 2014 Theatre
Trivia Tuesday contest. </span></em></span></div>
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<br /></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="color: #002264; font-family: "Arial","sans-serif";"><span style="font-family: "Arial","sans-serif";">Here's the first question of the day (hint: if you know about us, then you know the answer).</span></span></div>
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<span class="userContent">Theatre Trivia Tuesday Question 1: This actor
(seated at the table) has been in three co-productions: "The Good
German," "Two Jews Walked into a War," and "100 Years," and is the
Artistic Director for number 17 on our map above. Name the actor and his
theatre! <a class="_58cn" data-ft="{"tn":"*N","type":104}" href="https://www.facebook.com/hashtag/njtheatre">#njtheatre</a></span><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
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<![endif]-->Visit the New Jersey Theatre Alliance's Facebook page to play <a href="https://www.facebook.com/NewJerseyTheatreAlliance" target="_blank"><span class="userContent">https://www.facebook.com/NewJerseyTheatreAlliance</span></a><br />
<span class="userContent"><br /></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-18655655111038570192014-11-25T13:06:00.000-05:002014-11-25T13:06:02.764-05:00Join Therése Halscheid For Her Book Launch on November 30, 2014<!--[if gte mso 9]><xml>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-30919488172839255072014-11-14T15:28:00.002-05:002014-11-14T15:28:59.239-05:00Writerly Advice from Fengar GaelWe are continuing our Writerly Advice series with playwright, Fengar Gael. We asked her what advice she would give to playwrights just starting out? Here's what she had to say...<br />
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<br />
<div class="MsoNormal" style="line-height: normal;">
<span class="apple-style-span"><span style="color: #333333; font-family: "Arial","sans-serif";">Read poetry, taste
everything, cultivate all your aesthetic senses and sensibilities; enrich your
life with fascinating friends, haunt museums and galleries, attend concerts of
every kind; try to avoid social networks or the compulsion to flip to the Internet
while writing, and thereby wasting hours of your precious life and causing the
muse to flee; try to find sacred, solitary time for just writing as often as
possible, and to quote Emily Dickinson, "Be a fire that lights
itself." </span></span></div>
<div class="MsoNormal" style="line-height: normal;">
<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<span class="apple-style-span"><span style="color: #333333; font-family: "Arial","sans-serif";">Don't wait for commissions
or even kind words of encouragement; be your own inspiration, and it helps to
join or create a group that reads and critiques plays-in-process. If
playwriting is your literary form, and you possess a quixotic belief in the
transforming power of language, remember that words live on the page as well as
the stage, so try to make the script a pleasure to read as well as to perform
(because it may takes years to find a producer). I should add that theatre can
be a humbling profession and you’ll be subject to the hill-valley syndrome of
great news (your play is being produced) followed by devastating news (the
theatre lost its funding), so try to have other outlets and hobbies and take up
a sport, like running. </span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<span class="apple-style-span"><span style="color: #333333; font-family: "Arial","sans-serif";">Also and most
importantly, never police your own imagination: Just because you’re not
African, Asian, Jewish, Catholic, or Muslim, or old, young, male or female, or
lived through wars, experienced poverty, imprisonment, hideous cancers, and
other assorted miseries, doesn’t mean you can’t imagine anything you wish. </span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<span class="apple-style-span"><span style="color: #333333; font-family: "Arial","sans-serif";">The great evolutionary
triumph of the species is imagination, so to define yourself in terms of your
creatureliness, your gender, age, race or ethnicity is to be forever stranded
on a smaller planet, so have fun, dabble in everything at every level. </span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<span class="apple-style-span"><span style="color: #333333; font-family: "Arial","sans-serif";">I should add that it’s
important to keep revising and recrafting your plays, for as the French poet,
Paul Valery wrote: "A poem is never finished; it is only abandoned."
The same is true of a play so as you evolve, your plays evolve, and you can reenter
and refine and restructure their worlds. Although Aristotle wrote (and I tend
to agree) that “the essence of drama is story,” I think that the theatre is
still evolving, so be inventive, dare to break the rules and know that so much
more is still possible. </span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<span class="apple-style-span"><span style="color: #333333; font-family: "Arial","sans-serif";">The great advantage of
writing for the theatre is that unlike actors, directors, designers and
virtually everyone else in the profession, you’re not at the mercy of
opportunity. Playwrights can write plays miles away from an actual theatre. </span></span></div>
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<br /></div>
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<span class="apple-style-span"><span style="color: #333333; font-family: "Arial","sans-serif";">Also avoid people who
say there’s no future in writing for the theatre. I think people will come to
the theatre more than ever before, if only to heal their damaged attention
spans, to finally focus on the perpetual wide screen of the stage where no
bullying cameras are telling us precisely where to look, no soundtrack
assaulting our ears, where we’re no longer isolated but in the company of other
human beings, and where our presence actually matters, so keep writing plays. </span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<span class="apple-style-span"><span style="color: #333333; font-family: "Arial","sans-serif";">A good rehearsal with an
inspired company is right up there with the great pleasures of life! </span></span><span style="font-family: "Arial","sans-serif";"></span></div>
<br />
<br />
To learn more about Fengar, visit her <a href="http://www.fengar.com/" target="_blank">website</a>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-64811032082745476332014-11-04T15:35:00.001-05:002014-11-04T15:35:56.418-05:00Writerly Advice from Bob Clyman<!--[if gte mso 9]><xml>
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<span style="color: black; font-family: "Helvetica","sans-serif"; font-size: 14.5pt; mso-fareast-font-family: "Times New Roman";"><span style="color: black; font-family: "Helvetica","sans-serif"; font-size: 14.5pt; mso-fareast-font-family: "Times New Roman";">Hello Young Playwrights! We're continuing our series of advice/thoughts/words of wisdom with playwright, Bob Clyman.</span></span><br />
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<a href="http://3.bp.blogspot.com/-wi5KCfkp78U/UOdLFB7U8UI/AAAAAAAAAj8/sKZjjGEEgZ8/s1600/Bob%2BClyman.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-wi5KCfkp78U/UOdLFB7U8UI/AAAAAAAAAj8/sKZjjGEEgZ8/s1600/Bob%2BClyman.jpg" height="320" width="210" /></a></div>
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<span style="color: black; font-family: "Helvetica","sans-serif"; font-size: 14.5pt; mso-fareast-font-family: "Times New Roman";"><span style="color: black; font-family: "Helvetica","sans-serif"; font-size: 14.5pt; mso-fareast-font-family: "Times New Roman";"> </span><i><b><span style="color: purple;"> </span></b></i></span><br />
<span style="color: black; font-family: "Helvetica","sans-serif"; font-size: 14.5pt; mso-fareast-font-family: "Times New Roman";"><i><b><span style="color: purple;">Writerly advice from Bob...</span></b></i></span></div>
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<span style="color: black; font-family: "Helvetica","sans-serif"; font-size: 14.5pt; mso-fareast-font-family: "Times New Roman";"><i><b><span style="color: purple;"> </span></b></i> </span></div>
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<span style="color: black; font-family: "Helvetica","sans-serif"; font-size: 14.5pt; mso-fareast-font-family: "Times New Roman";">'Always give your enemy
the best lines.' That's one of my favorite quotes, and for years I've
been attributing it to George Bernard Shaw. I was sure he wrote it, and
it certainly sounds like him, but when I tried to look it up recently to make
sure I wasn't paraphrasing it, I couldn't find any quotes remotely like that
attributed to him or, for that matter, to anyone else. </span></div>
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<span style="color: black; font-family: "Helvetica","sans-serif"; font-size: 14.5pt; mso-fareast-font-family: "Times New Roman";">So did I invent
it? Is it mine? </span></div>
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<span style="color: black; font-family: "Helvetica","sans-serif"; font-size: 14.5pt; mso-fareast-font-family: "Times New Roman";">What if I wrote it years ago in some early draft I
can't remember, just like I couldn't remember where Shaw wrote it, if and when
he did. If somebody remembered reading that draft and for some odd reason
had kept it all these years, and then he heard me today, saying those exact
same words but in a different context, could I rightfully be accused of
plagiarism for failing to attribute it to myself? </span></div>
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<span style="font-size: small;"><span style="font-size: medium;"><b>Bob Clyman’s</b> plays have been produced
Off-Broadway and at regional theatres, such as the Alley Theatre, Laguna
Playhouse, Repertory Theatre of St. Louis, San Jose Repertory Theatre,
George Street Theatre, Merrimack Repertory Theatre, Colony Studio
Theatre in Los Angeles, Playwrights Theatre of New Jersey, and L.A.
Theatre Works, in addition to touring Scotland. His play SECRET ORDER
was initially commissioned and produced by The Ensemble Studio Theatre
under the auspices of the Alfred P. Sloan Foundation. It was
subsequently produced at 59E59 Theatre in New York, where it was
nominated for an Outer Circle Critics Award for the best script in
2008. It has since been produced at many regional theatres. To learn more about Bob, visit his <a href="http://www.bobclyman-playwright.com/" target="_blank">website</a></span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-7361293952415916902014-10-13T11:19:00.001-04:002014-10-13T11:19:20.667-04:00Tune In This Wednesday<span class="userContent">Be sure to check out Playwrights Theatre's
own, Jim Ligon, on this week's THE MYSTERIES OF LAURA. He's in episode
5, "The Mystery of the Terminal Tenant" on NBC, Wednesday<br /> October 15 at 8:00pm.</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-hg7PFx6ZYR0/VDvta7lD7AI/AAAAAAAAA3s/yX7cYaC4oHs/s1600/Jim%2BLigon%2Bfor%2Bwebsite.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-hg7PFx6ZYR0/VDvta7lD7AI/AAAAAAAAA3s/yX7cYaC4oHs/s1600/Jim%2BLigon%2Bfor%2Bwebsite.jpg" height="210" width="320" /></a></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-57414780637360068592014-09-24T16:08:00.000-04:002014-09-24T16:08:15.155-04:00SELMA '65 by Catherine Filloux will be presented at La MaMa<span style="font-family: "Courier New",Courier,monospace;">Playwrights Theatre is very excited for our friend, Catheine Filloux, and her upcoming production of SELMA '65 which will be presented at La MaMa from September 26-October 12, 2014.</span><br />
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<a href="http://1.bp.blogspot.com/-cax_E5c04YE/VCMjDwhJ4LI/AAAAAAAAA3c/r1sZXDBQi_k/s1600/Selma%2B65.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-cax_E5c04YE/VCMjDwhJ4LI/AAAAAAAAA3c/r1sZXDBQi_k/s1600/Selma%2B65.jpg" height="215" width="320" /></a></div>
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</xml><![endif]--><span style="color: black; font-family: "Courier New"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">In remembrance of the 50th
anniversary of the Selma Voting March, award-winning playwright Catherine
Filloux brings to life the interconnected stories of Viola Liuzzo, white civil
rights activist, and Tommy Rowe, FBI informant, undercover with the Ku Klux
Klan. Marietta Hedges plays both roles. </span><br />
<span style="color: black; font-family: "Courier New"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br /></span>
<span style="color: black; font-family: "Courier New"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">Catherine was interviewed on NBC New York. <a href="http://www.nbcnewyork.com/video/#!/on-air/as-seen-on/SELMA-65-Playwright-Talks-About-Her-Inspiration/274842621" target="_blank">Click here</a> to watch.</span><br />
<span style="color: black; font-family: "Courier New"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br /></span>
<span style="color: black; font-family: "Courier New"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">For tikets, visit <a href="http://lamama.org/selma65/" target="_blank">La MaMa's website</a>.</span><br />
<span style="color: black; font-family: "Courier New"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br /></span>
<span style="color: black; font-family: "Courier New"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">To learn more about Catherine, visit her <a href="http://catherinefilloux.com/" target="_blank">website</a>.</span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-54688179956247951582014-09-17T13:59:00.000-04:002014-09-17T13:59:36.096-04:00100 YEARS by Richard Dresser a co-production between Playwrights Theatre and Dreamcatcher Repertory Theatre<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-bxpJeQ4k4Ls/VBnLghiHNhI/AAAAAAAAA3Q/v53eJdr70JQ/s1600/100%2BYEARS%2Bposter.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-bxpJeQ4k4Ls/VBnLghiHNhI/AAAAAAAAA3Q/v53eJdr70JQ/s1600/100%2BYEARS%2Bposter.jpg" height="400" width="320" /></a></div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-88750496240548025302014-09-10T13:02:00.000-04:002014-09-10T13:02:12.971-04:00Writerly Advice from Lia RomeoAs we get ready to kick off the 32nd Annual New Jersey Young Playwrights Contest & Festival, we reached out to our adult, professional playwrights to give us tidbits of information, insight, stories and ideas that we could share with our young playwrights who are currently working on a play or writing a play for the first time.<br />
<br />
We're kicking off our series with a blog post from playwright, novelist and comic writer, Lia Romeo. To learn more about Lia, visit her <a href="http://liaromeo.com/Biography.html" target="_blank">website</a><i><b><span style="color: purple;"> </span></b></i><br />
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<i><b><span style="color: purple;">Writerly advice from Lia...</span></b></i><br /><br />A couple of years ago, I was commissioned by HotCity Theatre
(in St. Louis, MO) to write a play that had to do with social media in some
way.<span style="mso-spacerun: yes;"> </span>I ended up writing a play called <i style="mso-bidi-font-style: normal;">Connected</i>, which consists of several
interrelated vignettes that focus on various types of social media: Facebook,
YouTube, online dating sites, and role-playing games.<span style="mso-spacerun: yes;"> </span>The play was developed at Playwrights Theatre in the Forum
Reading Series in 2012, and ended up in HotCity’s 2013 season.<span style="mso-spacerun: yes;"> </span>
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Because of the social media theme, they came up with a marketing
campaign which uses social media to expand the world of the play and
(hopefully) get the audience interested before opening.<span style="mso-spacerun: yes;"> </span>The director, Chuck Harper, and I worked
together to choose five characters from the play, and then the actors who play
those characters created Facebook profiles for them and began posting and
interacting with one another as their characters.<span style="mso-spacerun: yes;"> </span>The theatre sent out some marketing blasts
explaining the project and telling audience members to friend the characters,
and I acted as a sort of “show runner” for the project, sending out emails each
week telling the characters the major events that would be “happening” in their
lives that week.</div>
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<a href="http://4.bp.blogspot.com/-lRRAjtV7Fqk/VBCDWHZo10I/AAAAAAAAA3A/LluZwvlDBOs/s1600/Lia%2BRomeo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="http://4.bp.blogspot.com/-lRRAjtV7Fqk/VBCDWHZo10I/AAAAAAAAA3A/LluZwvlDBOs/s1600/Lia%2BRomeo.jpg" height="400" width="297" /></a>The Facebook project existed independently of the world of
the play, and wasn’t necessary in order to understand anything in it … some of
the characters that were created on Facebook were fairly minor in the world of
the play (one was actually an off-stage character who got mentioned but never
appeared), while others were more significant.<span style="mso-spacerun: yes;">
</span>One reporter who wrote a story about the project pointed out that it was
a great acting exercise for the actors … they had to come up with a backstory,
likes and dislikes, sometimes even last names for their characters, and it
seemed like they had a lot of fun with it.<span style="mso-spacerun: yes;">
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For me, it was totally surreal the first morning I signed on
to Facebook and, in between the usual baby pictures and reports of what my
friends had eaten for breakfast, I saw a status update from a character I’d
invented.<span style="mso-spacerun: yes;"> </span>It really literalized the
whole idea of having your characters “talk to you” – and it was<span style="mso-spacerun: yes;"> </span>fun seeing the ways that the actors “fleshed
out” (in a virtual sense) the characters I created. It reminded me of what I
love most about theater, which is the collaborative aspect – the fact that
we’re all working together to bring something to life.<span style="mso-spacerun: yes;"> </span></div>
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It also made me wonder whether this is a style of marketing
that’s going to become more popular.<span style="mso-spacerun: yes;">
</span>It’s already standard for theaters to have a social media presence, and
for authors and playwrights to have blogs, websites, and so on.<span style="mso-spacerun: yes;"> </span>It seems like it could be a natural extension
for fictional characters to begin appearing on social media – and maybe it’s
already happening more than I realize (just did a search for Katniss Everdeen
on Facebook and she’s totally on there, three times).<span style="mso-spacerun: yes;"> </span>As a writer, I’m naturally intrigued by the
blurring of the lines between fantasy and reality, and I think those lines
already get blurred by the ways that all of us present ourselves on the
internet.<span style="mso-spacerun: yes;"> </span>So it’s interesting to think
about how far that blurring of lines might ultimately go.</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-76614038158900868912014-08-26T15:10:00.001-04:002014-08-26T15:12:40.152-04:00Seriously Awesome Writing In Our Summer Playwriting Workshop<span class="userContent">We popped into the <a href="http://www.ptnj.org/classes/playwriting-workshop-grades-6-12-summer-2014" target="_blank">Playwriting Summer Workshop</a>
yesterday and there was some seriously awesome writing happening. Plot
twists. Character development. Costume ideas. Some writing with pen and
paper and some typing away at their laptops. There was an amazing energy
and we can't wait to read what everyone wrote! Keep up the good work
and don't forget to enter your scripts into our <a href="http://www.ptnj.org/pages/nj-young-playwrights" target="_blank">New Jersey Young Playwrights Festival</a>!</span><br />
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Need some ideas to help prompt your script? Check out our <a href="http://www.pinterest.com/ptnj/new-jersey-young-playwrights-contest-festival/" target="_blank">Pinterest page </a>dedicated to all things inspirational for budding playwrights. </div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-85807763831436209302014-07-09T14:54:00.000-04:002014-07-09T14:54:18.636-04:00The Cast of GODSPELL<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-Jd9izWq3J7U/U72Pcl3VeaI/AAAAAAAAA2I/TMOtJLDLanQ/s1600/PC200016.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://3.bp.blogspot.com/-Jd9izWq3J7U/U72Pcl3VeaI/AAAAAAAAA2I/TMOtJLDLanQ/s1600/PC200016.JPG" height="298" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="userContent">The cast of GODSPELL gets silly for the photo shoot</span></td></tr>
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<span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;">The Madison Department of Recreation, in partnership with Playwrights Theatre, present</span><br /><br /><span style="color: purple;"><b><span style="font-size: medium;">GODSPELL<br />Conceived and Originally Directed by JOHN-MICHAEL TEBELAK<br />MUSIC AND NEW LYRICS BY STEPHEN SCHWARTZ</span></b></span><br /><span style="color: purple;"><span style="font-size: small;">Originally Produced on the New York Stage by<br />EDGAR LANSBURY / STUART DUNCAN / JOSEPH BERUH</span></span></span></span><br />
<span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: x-small;"><strong><br />GODSPELL</strong><br />Is presented through special arrangement with Music Theatre International (MTI).<br />All authorized performance materials are also supplied by MTI.<br />421 West 54th Street, New York, NY 10019<br />Phone: 212-541-4684 Fax: 212-397-4684<br /><a href="http://www.mtishows.com/" style="text-decoration: underline;" target="_blank">www.MTIShows.com</a></span></span><br />
<span class="userContent"> <br /> GODSPELL <br /> July 24, 2014 at 7:30pm<br /> July 25, 2014 at 7:30pm<br /> July 26, 2014 at 2:00pm<span class="text_exposed_show"><br /> <br /> Performances will take place at Madison High School, 170 Ridgedale Avenue, Madison, NJ.<br /> <br /> Tickets: $10 for Adults, $5 Children & Students<br /> Call 973-514-1787 X31 or online at <a href="http://www.ptnj.org/specialevents.php?url=godspell" rel="nofollow nofollow" target="_blank">http://www.ptnj.org/specialevents.php?url=godspell</a><br /> <br /> Senior Citizens - No Charge<br /> Call Madison Senior Center 973-593-3095<br /> <br /> CAST:<br /> Anastasia Arvanites<br /> Melissa Barry<br /> Rob Bazaral<br /> Larry Bissett<br /> Katharine Brundage<br /> Kavi Daniels<br /> Loren Donnelly<br /> Max Dreitlein<br /> Mike Dreitlein<br /> Pauline Figarelli<br /> Najah Johnson<br /> Sahirah Johnson<br /> Jane Keitel<br /> Brian Lang<br /> Kathryn McManus<br /> Kristin McManus<br /> Alex Post<br /> Walter F. Rodriguez<br /> Jayati Samar<br /> <br /> PRODUCTION:<br /> Danielle Constance - Director/Set Design<br /> Karen Romero - Music Director<br /> Jane Keitel - Assistant Music Director</span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-82084607702389976302014-06-03T12:44:00.001-04:002014-06-03T12:44:03.979-04:00New Jersey Young Playwrights: Day 2 - Readings of the Junior HS, Elementary, and...<a href="http://njyoungplaywrights.blogspot.com/2014/06/day-2-readings-of-junior-hs-elementary.html?spref=bl">New Jersey Young Playwrights: Day 2 - Readings of the Junior HS, Elementary, and...</a>: Monday evening we celebrated the playwrights whose work was chosen in the Junior HS division, Elementary division, and Revolutionary Plays c...Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4714818366485257273.post-37959342750534697942014-05-29T16:28:00.002-04:002014-05-29T16:28:32.475-04:00Audition Notice for Madison Residents Ages 14-21<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-XhuPiOjUIRI/U4eYYDDDvfI/AAAAAAAAA10/BGmBLcm4OgQ/s1600/Godspell+audition+poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-XhuPiOjUIRI/U4eYYDDDvfI/AAAAAAAAA10/BGmBLcm4OgQ/s1600/Godspell+audition+poster.jpg" height="320" width="247" /></a></div>
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